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Interview with Boris Charmatz

Published online by Cambridge University Press:  13 January 2015

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Extract

DRJ: It has now been five years since your manifesto “For a Dancing Museum” first appeared. As is well known, this manifesto led you to become director of the Centre chorégraphique national de Rennes et de Bretagne (2009). Do you believe you have achieved the goals you stated as crucial for a dancing museum, i.e., to displace the idea of “Center” from the institution; to dismantle the “nationalism” always lurking under the adjectival “national”; to move the focus from the noun “Dance” to the actioning of the verb “Dancing” in defining this museum?

Type
Dialogues
Information
Dance Research Journal , Volume 46 , Issue 3: Dance in the Museum , December 2014 , pp. 49 - 52
Copyright
Copyright © Congress on Research in Dance 2014 

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