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Published online by Cambridge University Press: 22 July 2014
1. See for example, Brissenden, Alan's literary study, Shakespeare and the Dance (Atlantic Highlands, New Jersey: Humanities Press, 1981)CrossRefGoogle Scholar; Franko, Mark's theoretical examination in The Dancing Body in Renaissance Choreography (Birmingham, Alabama: Summa Publications, 1986)Google Scholar; and Mirabella, Bella, “Mute Rhetorics: Women, the Gaze, and Dance in Renaissance England,” Genre (1995), 413-444.Google Scholar
2. See, for example, Orgel, Stephen's The Illusion of Power (Berkeley, California: University of California Press, 1975)Google Scholar; Goldberg, Jonathan, James I and the Politics of Literature (Baltimore: The Johns Hopkins University Press, 1983)Google Scholar; Tennenhouse, LeonardPower on Display (New York: Methuen, 1989).Google Scholar