Hostname: page-component-cd9895bd7-gbm5v Total loading time: 0 Render date: 2024-12-27T09:59:04.560Z Has data issue: false hasContentIssue false
  • English
  • Français

Society Dancing: Fashionable Bodies in England, 1870–1920 by Theresa Jill Buckland. 2011. Houndmills, Basingstoke, UK: Palgrave Macmillan. 264 pp., 19 illustrations, appendix, notes, bibliography, index. $85.00 cloth.

Published online by Cambridge University Press:  10 October 2013

Clare Parfitt-Brown
Clare Parfitt-Brown*
Affiliation:
University of Chichester
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Dance Research Journal , Volume 45 , Issue 2 , August 2013 , pp. 148 - 150
Copyright
Copyright © Congress on Research in Dance 2013 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Aldrich, Elizabeth. 1991. From the Ballroom to Hell: Grace and Folly in Nineteenth-Century Dance. Evanston, IL: Northwestern University Press.Google Scholar
Bourdieu, Pierre. 1984. Distinction: A Social Critique of the Judgment of Taste. Translated by Nice, R.. Cambridge, MA: Harvard University Press.Google Scholar
Burt, Ramsay. 2009. “History, Memory, and the Virtual in Current European Dance Practice.” Dance Chronicle 32(3): 442–467.Google Scholar
Cook, Susan. 1999. “Watching Our Step: Embodying Research, Telling Stories.” In Audible Traces: Gender, Identity, and Music, edited by Barkin, Elaine and Hamessley, Lydia, 177–212. Zurich: Carciofoli Verlagshaus.Google Scholar
Cordova, Sarah Davies. 1999. Paris Dances: Textual Choreographies in the Nineteenth-Century French Novel. San Francisco: International Scholars Publications.Google Scholar
Elias, Norbert. 1978. The Civilizing Process: Vol. 1, The History of Manners. New York: Pantheon Books.Google Scholar
Hall, Stuart. 1998. “Notes on Deconstructing ‘the Popular’.” In Cultural Theory and Popular Culture: A Reader, edited by Storey, John, 442–53. London: Prentice Hall.Google Scholar
Malnig, Julie. 1992. Dancing Till Dawn: A Century of Exhibition Ballroom Dance. New York: New York University Press.Google Scholar
Malnig, Julie. 2009. Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader. Urbana, IL: University of Illinois Press.Google Scholar
Parker, Holt N. 2001. “Toward a Definition of Popular Culture.” History and Theory 50(May): 147–70.Google Scholar
Robinson, Danielle. 2009. “Performing American: Ragtime Dancing as Participatory Minstrelsy.” Dance Chronicle 32(1): 89–126.Google Scholar
Robinson, Danielle. 2010. “The Ugly Duckling: The Refinement of Ragtime Dancing and the Mass Production and Marketing of Modern Social Dance.” Dance Research 28(2): 179–99.Google Scholar
Savigliano, Marta E. 1995. Tango and the Political Economy of Passion. Oxford, UK: Westview Press.Google Scholar
Stearns, Marshall, and Jean, Stearns. 1968. Jazz Dance: The Story of American Vernacular Dance. New York: Schirmer Books.Google Scholar
Storey, John. 2003. Inventing Popular Culture: From Folklore to Globalization. Oxford: Wiley-Blackwell.Google Scholar