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The Study of Mime as a Manifestation of Sociability, as Play and Artistic Expression
Published online by Cambridge University Press: 01 July 2024
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Mime expresses a condition suffered by all men: the physical condition. Since here is the seat of all consciousness and the implicit support of the mind's most delicate constructions, mime is the original and universal language. Learning to talk is mimicry at the beginning, and the small child repeats the words before he has understood their meaning. The adult never stops resorting to it; sympathy, love are born and avowed in a mimetic exchange; and relaxation results from the freedom of movement which most games entail. Mime is also a means of social communication; it gives birth to pity, which is awakened by physical sympathy. Pity in turn is the most binding sentiment of all : Montesquieu, Jean-Jacques Rousseau and anthropology consider it fundamental to the condition of society.
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- Research Article
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- Copyright © 1965 Fédération Internationale des Sociétés de Philosophie / International Federation of Philosophical Societies (FISP)
References
1 Georges Gurvitch, La vocation actuelle de la sociologie, Paris, P.U.F., 1963, v. I.
2 L. K. Frank, Personality in Nature, Society in Nature, New York, Knopf, 1948.
3 Jean Stoetzel, La psychologie sociale, Paris, Flammarion, 1963; Les phéno mènes collectifs de la mode, pp. 245-249. This contains a bibliography on the subject.
4 J. C. Flügel, Psychology of Clothes, London, Hogarth, 1939.
5 Emile Benveniste, "Le jeu comme structure", Deucalion, N. 2, Paris 1947.
6 Johan Huizinga, Homo ludens, Paris, NRF, 1951.
7 Gilbert Durand, Les structures anthropologiques de l'imaginaire, Paris, P.U.F,. 1963.
8 Roger Caillois, L'homme et le sacré, Paris, P.U.F., 1939.
9 Martin Heidegger, Approche d'Hölderlin, Paris, NRF, 1962.
10 Carl Kerényi, "The Birth and Transfiguration of Comedy in Athens," Diogenes, N. 38.
11 Jean Dorcy, A la rencontre de la mime, Les cahiers de la danse et de la culture, Neuilly-sur-Seine, 1958.
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