Hostname: page-component-78c5997874-8bhkd Total loading time: 0 Render date: 2024-11-10T06:36:46.209Z Has data issue: false hasContentIssue false
  • English
  • Français

Peter Walls, Music in the English Courtly Masque 1604–1640. Oxford, Clarendon Press, 1996, 372 pp.

Published online by Cambridge University Press:  05 December 2008

Peter Holman
Peter Holman
Affiliation:
King's College, London
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Early Music History , Volume 16 , October 1997 , pp. 328 - 335
Copyright
Copyright © Cambridge University Press 1997

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Dent, E. J., Foundations of English Opera (Cambridge, 1928; repr. 1965)Google Scholar; Arundell, D., The Critic at the Opera (London, 1957)Google Scholar.

2 Sabol, A., Four Hundred Songs and Dances from the Stuart Masque (Providence, R.I., 1978)Google Scholar.

3 Matthew Locke and Christopher Gibbons: Cupid and Death, ed. Dent, E. J., rev. A. Lewis, Musica Britannica 2 (London, 2/1965)Google Scholar.

4 Modern edition in Greaves, Mason, Earsden: Songs (1604) and Ayres (1618), ed. Spink, I., The English Lute-Songs, second series, 18 (London, 1962)Google Scholar.

5 Trois Masques à la cour de Charles Ier d'Angleterre, ed. Lefkowitz, M. (Paris, 1970)Google Scholar.

6 Modern edition in Robert Johnson: Ayres, Songs and Dialogues, ed. Spink, I., The English Lute-Songs, second series, 17 (London, 2/1974), no. 5Google Scholar. Unfortunately, it omits the essential second soprano part printed in the sole source, Wilson's, JohnCheerful Ayres or Ballads (Oxford, 1660)Google Scholar.

7 Ward, J., ‘Newly Devis'd Measures for Jacobean Masques’, Acta Musicologica, 60 (1988), pp. 111–42CrossRefGoogle Scholar; Holman, P., Four and Twenty Fiddlers: The Violin at the English Court 1540–1690 (Oxford, 1993; 2nd edn 1995), chap. 8Google Scholar.

8 Lasocki, D., Professional Recorder Players in England, 1540–1740, Ph.D. dissertation, University of Iowa, 1983, i, pp. 105–12Google Scholar; Holman, , Four and Twenty Fiddlers, pp. 233–4Google Scholar.

9 Ibid., p. 186.

10 Ibid., pp. 252–3.