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Dietrich Bartel, Musica Poetica. Lincoln, Nebraska, University of Nebraska Press. 1997. xv + 471 pp.

Published online by Cambridge University Press:  05 December 2008

John Butt
John Butt
Affiliation:
King's College, Cambridge
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Reviews
Information
Early Music History , Volume 18 , October 1999 , pp. 398 - 404
Copyright
Copyright © Cambridge University Press 1999

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References

1 Schering, Arnold, ‘Die Lehre von den musikalischen Figuren im 17. und 18.Jahrhundert’, Kirchenmusikalisches Jahrbuch, 21 (1908), pp. 106–14.Google Scholar

2 The most significant authors are Heinz Brandes, Willibald Gurlitt, Arnold Schmitz and Hans-Heinrich Unger; see Bartels, , Musica Poetica, p. viii n. 2, for details.Google Scholar

3 ‘Rhetoric and Music’, New Grove Dictionary of Music and Musicians, ed. Sadie, Stanley (London, 1980), XV, pp. 793–803.Google Scholar

4 Bartel, Dietrich, Handbuch der musikalischen Figurenlehre (Laaber, 1985).Google Scholar

5 See my Music Education and the Art of Performance in the German Baroque (Cambridge, 1994), esp. pp. 121–65.Google Scholar

6 This point is strongly made by Forchert, Arno, ‘Musik und Rhetorik im Barock’, Schütz Jahrbuch, 7–8 (1985–1986), pp. 5–21, one of the most perceptive studies of music and rhetoric.Google Scholar