Hostname: page-component-cd9895bd7-mkpzs Total loading time: 0 Render date: 2024-12-26T08:17:56.114Z Has data issue: false hasContentIssue false
  • English
  • Français

Gretchen Peters, The Musical Sounds of Medieval French Cities: Players, Patrons, and Politics. Cambridge: Cambridge University Press, 2012. x+297 pp. ISBN 978-1-107-01061-1. doi:10.1017/S0261127913000089

Published online by Cambridge University Press:  27 September 2013

Keith Polk
Keith Polk*
Affiliation:
University of New Hampshire
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Early Music History , Volume 32 , 2013 , pp. 317 - 323
Copyright
Copyright © Cambridge University Press 2013 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Myers, Herbert W., ‘The Mary Rose “Shawm”’, Early Music, 11 (1983), 358–60CrossRefGoogle Scholar.

2 McGee, Timothy J., The Ceremonial Musicians of Late Medieval Florence (Bloomington and Indianapolis, 2009)Google Scholar.

3 Arnaud d'Agnel, Abbé Gustav, Les Comptes du roi René, publiés d'après les originaux inédits conservés aux Archives des Bouches-du-Rhône (Paris, 1908)Google Scholar.