Published online by Cambridge University Press: 07 September 2009
Throughout history, little has been known about the land of Illyria. ‘As ”savages” or “barbarians” on the northern periphery of the classical world’, the historian John Wilkes writes, ‘even today the Illyrians barely make footnotes in most versions of ancient history, and more often than not they are simply ignored.’ Shut in by mountains, north of the betterknown Greece and covering roughly the area of modern-day Albania, Macedonia, and Bosnia, Illyria has remained a closed world to outsiders, dismissed as barbarian in ancient times and remembered in more recent centuries only as an unexplored outpost of the Ottoman or Hapsburg Empires. As a result, Illyria has become a place of mystery, the site of myth and legend as much as of historical civilization-building or battles, a by-word for the realm of the imagination. Oscar Wilde summed up the popular association of Illyria with fiction when, in a review of an amateur production of Twelfth Night, he wrote with characteristic succinctness: ‘Where there is no illusion there is no Illyria.’
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29. Byron's note to line 338, Childe Harold II.
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31. For the link between the imagination and nationalism, see, for example, Hobsbawm, E. and Ranger, T. (edd.), The Invention of Tradition (Cambridge, 1983)Google Scholar and Anderson, B., Imagined Communities: Reflections on the Origin and Spread of Nationalism (London, 1983)Google Scholar.
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