Hostname: page-component-cd9895bd7-8ctnn Total loading time: 0 Render date: 2024-12-26T06:28:03.318Z Has data issue: false hasContentIssue false

Ibsen and Hegel on Egypt and the Beginning of Great Art1

Published online by Cambridge University Press:  23 June 2015

Kristin Gjesdal*
Affiliation:
Department of Philosophy, Temple University, kgjesdal@temple.edu
Get access

Abstract

In the young Henrik Ibsen's intellectual quarters, abroad as well as in his native Norway, Hegelianism was very much the philosophical system de rigueur. Hegel's student Marcus Jacob Monrad taught phenomenology and aesthetics at the University of Christiania (now Oslo) throughout the 1850s, and promoted a wider Hegelian way of thinking through frequent book reviews and newspaper articles. In Italy, soon to be his home away from home, Ibsen socialised with the art-historian Lorentz Dietrichson, whose views on the history of art were outspokenly Hegelian. Ibsen was also in touch with the Hegelian circle gathering around the painter I. C. Dahl at the Academy of Art in Dresden. While Ibsen rarely engages in explicit philosophical discussion, he makes a significant exception when responding to the Danish translation of John Stuart Mill's Utilitarianism. He admits that he has no professional expertise in this area but continues to observe that, insofar as ‘there are writers [like Mill] who lay down the law about philosophy without any knowledge of Hegel or German thought in general,’ it seems to him that ‘anything is allowed.’ To think philosophically without Hegel appears to Ibsen as tantamount to thinking without a reference point or standard.

Type
Articles
Copyright
Copyright © The Hegel Society of Great Britain 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

1

The first draft for this paper was written in response to an invitation to a conference hosted by the Supreme Ministry of Culture, Cairo, Egypt, 2006. I would also like to thank Paul Guyer and the Department of German at the University of Pennsylvania and the Center for the Humanities at Temple University for inviting me to present an earlier version of this paper as part of their colloquium series. Finally, I would like to thank Espen Hammer, Frode Helland, Tore Rem and Toril Moi for a number of helpful comments.

References

Aarseth, Asbjørn (2001), ‘Peer Gynt and Hegel's Ideas on Egyptian Art,’ Scandinavian Studies 4: 535546 Google Scholar
Aarseth, Asbjørn (2007), ‘Introduction to Peer Gynt ,’ Introductions and Commentaries, vol. 5b Henrik Ibsens Skrifter. Oslo: Aschehough forlag.Google Scholar
Asbjørnsen, , (18451847), Norske Huldreeventyr og Folkesagn, 2 vols. Christiania: Fabritius forlag.Google Scholar
Beiser, Frederick (2003), The Romantic Imperative: The Concept of Early German Romanticism. Cambridge, Mass.: Harvard University Press.Google Scholar
Bennett, Tony (1995), The Birth of the Museum: History, Theory, Politics. London: Routledge.Google Scholar
Bohrer, Karl Heinz (1989), Die Kritik der Romantik. Frankfurt am Main: Suhrkamp.Google Scholar
Brandes, Georg (1916), Henrik Ibsen. København: Gyldendalske Boghandel.Google Scholar
Brandes, Georg (1919), ‘Adam Oehlenschläger: Aladdin,’ Samlede skrifter, Bind 1.2. København: Gyldendalske Boghandel. 201–42.Google Scholar
Collin, Josef (1910), Henrik Ibsen. Sein Werk, seine Weltanschauung, sein Leben. Heidelberg: Carl Winters Universitätsbuchhandlung.Google Scholar
Faaland, Josef (1943), Henrik Ibsen og antikken. Oslo: Grundt Tanum.Google Scholar
Frank, Manfred (1997), Unendliche Annäherung. Frankfurt am Main: Suhrkamp.Google Scholar
Gadamer, Hans-Georg (1976), ‘Hegel's Dialectic of Self-Consciousness,’ in Hegel's Dialectic: Five Hermeneutical Studies, trans. Smith, P. Christopher. New Haven: Yale University Press, 5474.Google Scholar
Gilman, Sander (1980), ‘The Figure of Black in the Thought of Hegel and Nietzsche,’ The German Quarterly, 53: 2: 141–58.CrossRefGoogle Scholar
Gosse, Edmund (1972), ‘A Norwegian Drama,’ in Egan, Michael ed., Ibsen: The Critical Heritage. London: Routledge. 4550.Google Scholar
Hegel, G. W. F. (1900), The Philosophy of History, trans. Silbree, J.. London: Colonial Press.Google Scholar
Hegel, G. W. F. (1940), Einleitung in die Geschichte der Philosophie, ed. Hoffmeister, Johannes. Hamburg: Felix Meiner.Google Scholar
Hegel, G. W. F. (1970a) Werke in Zwamrig Bänden, ed. Moldenhauer, Eva and Michel, Karl Markus. 20 vols. Frankfurt am Main: Suhrkamp.Google Scholar
Hegel, G. W. F. (1970b), Rechtsphilosophie, vol. 7 of Werke.Google Scholar
Hegel, G. W. F. (1970c), Vorlesungen über die Philosophie der Geschichte, vol. 12 of WerkeGoogle Scholar
Hegel, G. W. F. (1970d), ‘Über die unter dem Namen Bhagavad-Gita bekannte Episode des Mahabharata. Von Wilhelm vom Humboldt (1827),’ Berliner Schriften 1818–31: 131204, vol. 11 of Werke.Google Scholar
Hegel, G. W. F. (1970e), Vorlesungen über die Geschichte der Philosophie III, vol. 20 of Werke.Google Scholar
Hegel, G. W. F. (1985), Vorlesungen über die Philosophie der Religion, ed. Jaeschke, Walter, vols 3–5 of Vorlesungen. Ausgewählte Nachschnften und Manuskripte. Hamburg: Felix Meiner.Google Scholar
Hegel, G. W. F. (1988), Lectures on the Philosophy of Religion: The lectures of 1827, ed. Hodgson, Peter C., trans. Brown, R. F., Hodgson, P. C., and Stewart, J. M.. Berkeley: University of California Press.CrossRefGoogle Scholar
Hegel, G. W. F. (1991), Elements of the Philosophy of Right, ed. Wood, Allen, trans. Nisbet, H. B.. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
Hegel, G. W. F. (1995a), Lectures on the History of Philosophy, trans. Haldane, E. S. and Simson, Frances H., 3 vols. Lincoln: University of Nebraska Press.Google Scholar
Hegel, G. W. F. (1995b), Introduction to the Lectures on the History of Philosophy, trans. Knox, T. M. and Miller, A. V.. Oxford: Clarendon Press.Google Scholar
Herder, Johann Gottfried (1989), Ideen zur Philosophie der Geschichte der Menschheit, ed. Bollacher, Martin, vol. 6 Werke. Frankfurt am Main: Deutscher Klassiker Verlag.Google Scholar
Herder, Johann Gottfried (2002), This Too a Philosophy of History for the Formation of Humanity, in Forster, Michael ed., Herder: Philosophical Writings, Cambridge: CUP, 272360.Google Scholar
Hirt, Alois (1821), Die Baukunst bei den Alten, Erster Band, G. Reimer: Berlin.Google Scholar
Ibsen, Henrik (1993), Peer Gynt: A Dramatic Poem, trans. Northam, John. Oslo: Scandinavian University Press.Google Scholar
Ibsen, Henrik (2007) Peer Gynt: Et Dramatisk Digt, Henrik Ibsens Sknfter, ed. Ystad, Vigdis et al., vol. 5a 5b, Oslo: Aschehoug forlag.Google Scholar
Ibsen, Henrik (2005), Brev — 1844-71, Henrik Ibsens Skrifter, ed. Ystad, Vigdis, vol. 12. Oslo: Aschehoug forlag.Google Scholar
Ibsen, Henrik Brand (1996) [1866], trans. Ewbank, Inga-Stina London: Penguin.Google Scholar
Kant, Immanuel (2002) Critique of the Power of Judgment, trans. Guyer, Paul. Cambridge: CUP.Google Scholar
Lampert, Jay (1995), ‘Hegel and Ancient Egypt: History and Becoming,’ International Philosophical Quarterly, vol. XXXV, No. 1, issue 137, 4358.CrossRefGoogle Scholar
McDowell, John, (2006), ‘The Apperceptive I and the Empirical Self: Towards a Heterodox Reading of “Lordship and Bondage” in Hegel's Phenomenology,’ in Deligiorgi, Katerina ed., Hegel: New Directions. Chesham: Acumen, 3348.CrossRefGoogle Scholar
Mill, John Stuart (2002), Utilitarianism, ed. Sher, George. London: Hackett.Google Scholar
Moi, Toril (2006), Henrik Ibsen and the Birth of Modernism: Art, Theatre, Philosophy. Oxford: OUP.CrossRefGoogle Scholar
Nordhagen, Per Jonas (1981), Henrik Ibsen i Roma, 1864–1868. Oslo: Cappelen Forlag.Google Scholar
Oehlenschläger, Adam (1898), Aladdin eller den forunderlige Lampe. København: Det nordiske Forlag.Google Scholar
Oxfeldt, Elisabeth (2005), Nordic Orientalism: Paris and the Cosmopolitan Imagination 1800–1900. Copenhagen: Museum Tusculanum Press.Google Scholar
Pinkard, Terry (1996), Hegel's Phenomenology: The Sociality of Reason. Cambridge: CUP.Google Scholar
Pinkard, Terry (2000), Hegel: A Biography. Cambridge: CUP.Google Scholar
Pöggeler, Otto (1965), Hegels Kritik der Romantik. Bonn: Friedrich Wilhelms Universität.Google Scholar
Schneider, Helmut (1981), ‘Hegel und die Ägyptischen Götter: Ein Exzerpt,’ Hegel-Studien 16: 5668.Google Scholar
Shapiro, Bruce (1990), Divine Madness and the Absurd Paradox: Ibsen's Peer Gynt and the Philosophy of Kierkegaard. Westport, CT: Greenwood Press.Google Scholar