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A Revolution in Rhyme: Poetic Co-Option under the Islamic Republic. Fatemeh Shams (Oxford: Oxford University Press, 2021). ISBN 978-0-19-885882-9 (hbk), xvi + 371 pp.

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A Revolution in Rhyme: Poetic Co-Option under the Islamic Republic. Fatemeh Shams (Oxford: Oxford University Press, 2021). ISBN 978-0-19-885882-9 (hbk), xvi + 371 pp.

Published online by Cambridge University Press:  19 January 2022

Blake Atwood
Blake Atwood*
Affiliation:
Department of Sociology, Anthropology, and Media Studies, American University of Beirut, Beirut, Lebanon
*
(ba71@aub.edu.lb)
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Abstract

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Type
Review
Information
Iranian Studies , Volume 55 , Issue 2 , April 2022 , pp. 577 - 580
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Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press on behalf of the Association for Iranian Studies

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References

1 Felski, Rita, The Limits of Critique (Chicago: University of Chicago Press, 2015)CrossRefGoogle Scholar.

2 See, for example, Pak-Shiraz, Nacim, Shiʿi Islam in Iranian Cinema: Religion and Spirituality in Film (London: I. B. Tauris, 2011)CrossRefGoogle Scholar; Partovi, Pedram, “Martyrdom and the Good Life in the Iranian Cinema of the Sacred Defense,” Comparative Studies of South Asia, Africa, and the Middle East 28, no. 3 (2008): 513–32CrossRefGoogle Scholar; and Varzi, Roxanne, Warring Souls: Youth, Media, and Martyrdom in Post-Revolutionary Iran (Durham, NC: Duke University Press, 2009)Google Scholar.

3 Bajoghli, Narges, Iran Reframed: Anxieties of Power in the Islamic Republic (Stanford, CA: Stanford University Press, 2019)CrossRefGoogle Scholar.

4 Kaveh Askari, Relaying Cinema in Midcentury Iran: Material Cultures in Transit (Berkeley: University of California Press, forthcoming); Demy-Geroe, Anne, Iranian National Cinema: The Interaction of Policy, Genre, Funding and Reception (London: Routledge, 2020)CrossRefGoogle Scholar; Rekabtalaei, Golbarg, Iranian Cosmopolitanism: A Cinematic History (Cambridge, UK: Cambridge University Press, 2019)CrossRefGoogle Scholar.