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Part III. Catalogue

Published online by Cambridge University Press:  07 August 2014

M. E. L. Mallowan
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Extract

At the end of each successive season, the collections of antiquities discovered at Brak and Chagar Bazar were divided into two parts, one of which was allotted to the Aleppo Museum, Syria, the other to the Expedition. The Aleppo Museum had the priority of selection. Any object marked (S) in the Catalogue was allocated to Aleppo. Of the remainder, the majority of the objects are in the British Museum, London, and smaller collections of antiquities were also sent to the Ashmolean Museum, Oxford, and to the Museum of Archæology and Ethnology, Cambridge. A representative collection of potsherds, a few complete pots, and some of the Eye-Idols were also sent to the London Institute of Archæology.

All of the most important objects discovered by the Expedition have been illustrated in the eighty-six Plates of this final publication, or in previous numbers of Iraq. The Eye-Idols and the Golden Frieze from the Eye-Temple have been illustrated in colour in the Illustrated London News, in which short preliminary accounts of each season's work have been published; but obviously the information contained in those articles was only a very brief summary, and in many cases has been modified by subsequent discoveries.

Type
Excavations at Brak and Chagar Bazar
Information
IRAQ , Volume 9 , Issue 2 , Autumn 1947 , pp. 89 - 259
Copyright
Copyright © The British Institute for the Study of Iraq 1947

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References

Starr, R. F. S., Nuzi, Vols. I and II, Plates 78, ·79, and see the fresco on Plates 128, 129Google Scholar
Speiser, E. A., The Pottery of Tell Billa, Plates LXI, LXIV, in The Museum Journal, University Museum, Philadelphia, Vol. XXIII, No. 3Google Scholar
Hutchinson, R. W. in A.A.A., XVIII, 1929–1930, pp. 108, 109; for references to examples from NinevehGoogle Scholar
Andrae, W., Coloured Ceramics from Assur, 18–20, and Plate 5, also Das Wiedererstandene Assur, Taf. 10, by the same authorGoogle Scholar
Dussaud, R. in Syria, XII, 299–302, and Fig. 1, for a specimen from JiganGoogle Scholar
Mallowan, M. E. L. in Iraq, III, Part 1, Fig. 27, No. 20, and p. 52, for a single sherd from Chagar Bazar, and Iraq, VIII, Part 1, p. 132 f, p. 136, and Fig. 11, Nos. 6, 10, for evidence of this ware at Jidle and Hammam in the Balikh valleyGoogle Scholar
SirWoolley, Leonard in The Antiquaries Journal, Vols. XVIII, XIX, 01, 1938, 1939, for the sequence at Atshana-AlalakhGoogle Scholar
Ingholt, H., Rapport Préliminaire sur Sept Campagnes de Fouilles à Hama en Syrie (Kopenhagen, 1940), Plate XX, No. 5, and p. 69 Google Scholar
Braidwood, R. J., in O.I.P., XLVIII, p. 6, for cognates of the ware in stratum VI at Judaidah, and see also C. W. McEwan, Syrian Expedition, Oriental Institute of the University of Chicago, Bulletin No. 1, 1937, design on back cover. On the chronology, see Sidney Smith, Alalakh and Chronology (Luzac, 1940), and for a discussion of antecedent painted fabrics from Palestine, W. A. Heurtley in The Quarterly of the Department of Antiquities in Palestine, Vol. VIII, Nos. 1, 2, article entitled A Palestinian Vase-Painter of the Sixteenth Century B.C., p. 21 f, with many illustrations. For the Mari frescoes, see A. Parrot, Les Peintures du Palais de Mari, in Syria, XVIII, 325–54.Google Scholar