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Published online by Cambridge University Press: 22 June 2011
1 Paris: Michel, Albin. An English translation soon followed: Village Bells: Sound and Meaning in the Nineteenth-Century French Countryside, Thorn, Martin, trans. (New York: Columbia University Press, 1998).Google Scholar
2 Schmidt, Eric, Leigh, Hearing Things: Religion, Illusion, and the American Enlightenment (Cambridge: Harvard University Press, 2000)Google Scholar; , Smith. M., Mark, Listening to Nineteenth-Century America (Chapel Hill: University of North Carolina Press, 2001)Google Scholar; Thompson, . Emily, , The SoundScape of Modernity: Architectural Acoustics and the Culture of Listening in America. 1900–1933 (Cambridge: MIT Press, 2002);Google ScholarPicker, , M., John, Victorian Soundscapes (New York: Oxford University Press, 2003)CrossRefGoogle Scholar; Rath, , Cullen, Richard, How Early America Sounded (Ithaca: Cornell University Press, 2003)Google Scholar; Jonathan, Sterne. The Audible Past: Cultural Origins of Sound Reproduction (Durham: Duke University Press, 2003).Google Scholar
3 See, for example, Lindman, , Moore, Janet, and Tarter, , Lise, Michele, eds, A Centre of Wonders: The Body in Early America (Ithaca: Cornell University Press, 2001);Google ScholarStearns, N., Peter, and Lewis, , Jan, , eds, An Emotional History of the United States (New York: New York University Press, 1998).Google Scholar