In the last few years, our understanding of police forces in Africa has increased significantly. Whilst in previous literature the police tended to be presented as a mere instrument in the hands of state elites, recent studies have shown the ability of policemen to defend their group interests. This article analyses a pivotal moment in the history of French West Africa, namely the creation of the Service de Sûreté in the early 1930s. Drawing on archival evidence from Togo, it takes a close look at the shift from military to urban policing, arguing that the bureaucratization of security modified the agency of African policemen. Whereas previously their forms of protest were very much connected with the specific setting of military camps (indiscipline, desertion, rebellion), these now increasingly included written protests within the administration.

This article explores the intellectual life and organizational work of an Indian Muslim activist and journalist, M. O. Abbasi, a largely forgotten figure who nonetheless stood at the center of colonial-era debates over the public role of Islam in mainland Tanzania. His greatest impact was made through the Anjuman Islamiyya, the territory's leading pan-Islamic organization that he co-founded and modeled on Indian modernist institutions. The successes and failures of Abbasi and the Anjuman Islamiyya demonstrate the vital role played by Western Indian Ocean intellectual networks, the adaptability of transoceanic, pan-Islamic organizational structures, and, ultimately, the limits imposed on pan-Islamic activism by racial politics in colonial Tanzania.

This article examines the use of tradition by minority groups whose territorial incorporation into British Northern Togoland under UN trusteeship was marked by political exclusion. This contrasts with the more typical pattern of productive and inclusive relations developing between chiefs and the administering authority within the boundaries of what was to become Ghana. In East Gonja, marginalized groups produced their own chiefs while simultaneously appealing to the UN Trusteeship Council to protect their native rights. The article contributes to studies on the limits of the ‘invention of tradition’ by showing the influence of external structures on African agency and organization. As the minority groups sought UN support on the basis of their native status, the colonial power affirmed alternative versions of tradition that were perceived locally as illegitimate and thereby rendered ineffective.

The founders of the Zanzibar National Party can be understood as creole nationalists, who imagined their political authority as stemming from membership in a transnational Arab elite. But in the mid-twentieth century, prompted by the rising hegemony of territorial nationalism and by subaltern challenges informed by pan-Africanism, they crafted a new historical narrative that depicted their movement as having originated with indigenous villagers. Party leaders then related this narrative to Western scholars, whose publications helped reproduce the myth throughout the rest of the century. This article traces the genesis of this masquerade and asks what it implies about the nature of the creole metaphor and its supposed link to discourses of cosmopolitan hybridity. The conventional contrast between créolité and nativist essentialism is shown to be illusory.

The formative influence of colonial art education on modern art movements in Africa has not attracted a great deal of scholarly attention. Yet, European art teachers in the Gold Coast challenged colonial prejudice that Africans were incapable of mastering European aesthetic forms. This article analyses the art education provided at the Teacher Training College at Achimota School where pupils learned both to revalue African art forms and to draw and paint in European, representational art styles. Modern artists built on and reshaped what they had learned at Achimota in order to respond to changing social and political conditions. The last section of this article explores the impact of colonial art education on the work of two of the earliest modern artists in Ghana: Kofi Antubam and Vincent Kofi.

‘High apartheid’ in the 1960s was marked by intensified efforts to redraw urban areas along racial lines and quash black South Africans' schooling and employment ambitions. The 1953 Bantu Education Act became infamous for limiting African educational opportunities. Yet this article shows how women in Umlazi Township, outside of Durban, schooled their children – despite and indeed because of apartheid's oppressive educational and urban policies. Drawing on oral histories and archival records, it explores the ‘bond of education’, the gendered material-emotional family connections that enabled schooling and resulted from schooling. In the face of increasingly insecure intimate relations, a booming economy, and expanded basic education, mothers' attention to their children's and grandchildren's education grew in importance and scale: education required sacrifices but promised children's eventual support.

This article examines the perceived interdependence of territorial rights and social identity in colonial Kenya. In the early 1960s, attempts to win full autonomy for a narrow strip of Indian Ocean coastline – the Protectorate of Kenya – encouraged an exclusivist discourse of autochthony. To establish their historical ownership of the coast, both political thinkers who supported and decried coastal separatism emphasized the correlation of race, ethnicity, religion, and physical space. Through competing claims to ‘the soil’, all parties articulated a dually integrative and divisive language of citizenship. As a result, autochthony discourse exacerbated tensions within coastal society, fortified divergent visions of the postcolonial nation, and highlighted reductive definitions of the coast as either maritime or continental in orientation.