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The Meeting of Sacred and Profane in New York's Music: Robert Moses, Lincoln Center, and Hip-hop

Published online by Cambridge University Press:  16 January 2009

András Tokaji
András Tokaji
Affiliation:
András Tokaji, of Kenyérmezö u.6, Budapest VIII, Hungary 1081, wishes to thank the Soros Foundation, Budapest, for its Open Society Scholarship in 1989.
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Abstract

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Type
Notes and Comment
Information
Journal of American Studies , Volume 29 , Issue 1 , April 1995 , pp. 97 - 103
Copyright
Copyright © Cambridge University Press 1995

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References

1 Caro, Robert A., The Power Broker: Robert Moses and the Fall of New York (New York: Knopf, 1974), 5–12Google Scholar; see also Schwartz, Joel, The New York Approach: Robert Moses, Urban Liberals, and Redevelopment of the Inner City (Columbus: Ohio State University Press, 1993)Google Scholar.

2 Caro, 1013.

3 Hitchcock, H. Wiley and Sadie, Stanley, The New Grove Dictionary of American Music (London: Macmillan, 1986)Google Scholar.

4 Martorella, Rosanne T., The Sociology of Opera (South Hadley, MA: Bergin, 1982), 51Google Scholar.

5 Ibid., 60.

6 Schoenberg, Harold C., “Have Cultural Centers benefited the Arts?”, New York Times, 11 07 1983, section 2Google Scholar.

7 Lipman, Samuel, The House of Music — Art in an Era of Institutions (Boston: David R. Godine publisher, 1984), 142–43Google Scholar.

8 Kaplan, Max, “Sociology of the Musical Audience”, Musical Journal (01 1961), 60Google Scholar.

9 Tawa, Nicholas E., A Most Wondrous Babble: American Art Composers, Their Music, and the American Scene, 1950–1987 (Westport, CT: Greenwood, 1987), 195Google Scholar.

10 Caro, 849.

11 Ibid., 20.

12 Ibid., 1014.

13 Ibid., 20.

14 Hager, Steven, Hip Hop: The Illustrated Break Dancing, Rap Music and Graffiti (New York: St. Martin's Press, 1984), 1Google Scholar.

15 Caro, 877–78.

16 Berman, Marshall, All That Is Solid Melts Into Air (New York: Verso edn. 1983), 292–93Google Scholar.

17 Hager, 5.

18 Ibid., 10.

19 Ibid., 31–33.

20 Wepman, D., Newman, R. B. and Binderman, M. B., The Life: The Lore and Folk Poetry of the Black Hustler (Philadelphia: University of Pennsylvania Press, 1976), 1–15Google Scholar.

21 Abrahams, Roger D., Deep Down in the Jungle (Chicago: Aldine Publishing, 1970), 35Google Scholar.

22 I.e., whodunit, created originally by Kaufmann, Wolfe (Variety Magazine, New York)Google Scholar.

23 Elfman, Bradley, Breakdancing (New York: First Avon Printing, 1984)Google Scholar.

24 Music and lyrics by Stephen Sondheim, written and directed by James Lapine (first performance, San Diego, 1987).