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Anime's Identity: Performativity and Form beyond Japan By Stevie Suan. Minneapolis: University of Minnesota Press, 2021. 384 pp. ISBN: 9781517911782 (paper).

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Anime's Identity: Performativity and Form beyond Japan By Stevie Suan. Minneapolis: University of Minnesota Press, 2021. 384 pp. ISBN: 9781517911782 (paper).

Published online by Cambridge University Press:  25 November 2022

Ana Micaela Chua Manansala
Ana Micaela Chua Manansala*
Affiliation:
University of Tsukuba/University of the Philippines
*
mgchua2@up.edu.ph
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Abstract

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Type
Book Reviews—Transnational and Comparative
Information
The Journal of Asian Studies , Volume 81 , Issue 4 , November 2022 , pp. 801 - 803
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Copyright
Copyright © The Association for Asian Studies, Inc. 2022

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References

1 Suan notes that this difference is not fully articulated even in media-specific works such as that of Thomas Lamarre, The Anime Machine: A Media Theory of Animation (Minneapolis: University of Minnesota Press, 2009) or indeed of Rayna Denison, Anime: A Critical Introduction (London: Bloomsbury Academic, 2015), which include anime films. For further comparison, in Alisa Freedman and Toby Slade, eds., Introducing Japanese Popular Culture (London: Routledge, 2018), the Anime section, separated from both Television and Cinema, also mixes essays on animated film and TV anime.