Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-31T23:59:53.453Z Has data issue: false hasContentIssue false
  • English
  • Français

Stars to the State and Beyond: Globalization, Identity, and Asian Popular Music

Published online by Cambridge University Press:  18 March 2013

Jennifer Milioto Matsue
Get access

Abstract

Popular music is a dynamic portal through which to gain a greater understanding of a vast array of social phenomena within Asia. In particular, the power of pop to actively shape conceptions of self and inform the ways in which we interact with others at the individual, communal, and even national and transnational levels has taken center stage, but understanding just how these identities are formed through the performance of popular music is quite complex in the current global moment. Through comparison of recent scholarship covering diverse types of popular music throughout Asia, this article explores how identity formation is informed by an increasingly nuanced understanding of globalization. Moving from a most intimate sense to broad transnational and inter-ethnic contexts, it not only expands the concept of identity in Asia, but also reveals how the study of popular music in general can illuminate other social issues important to Asianists.

Type
Research Article
Information
The Journal of Asian Studies , Volume 72 , Issue 1 , February 2013 , pp. 5 - 20
Copyright
Copyright © The Association for Asian Studies, Inc. 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

List of References

Allen, Matthew, and Sakamoto, Rumi, eds. 2006. Popular Culture, Globalization and Japan. London: RoutledgeCurzon.Google Scholar
Appadurai, Arjun. 1996. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press.Google Scholar
Atkins, E. Taylor. 2001. Blue Nippon: Authenticating Jazz in Japan. Durham, N.C.: Duke University Press.Google Scholar
Baulch, Emma. 2007. Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali. Durham, N.C.: Duke University Press.Google Scholar
Bennett, Andy, and Peterson, Richard A.. 2004. Music Scenes: Local, Translocal, and Virtual. Nashville, Tenn.: Vanderbilt University Press.CrossRefGoogle Scholar
Bial, Henry. 2004. The Performance Studies Reader. London: RoutledgeCurzon.Google Scholar
Bigenho, Michelle. 2012. Intimate Distance: Andean Music in Japan. Durham, N.C.: Duke University Press.Google Scholar
Brackett, David. 2002. “(In Search of) Musical Meaning: Genres, Categories and Crossover.” In Popular Music Studies, eds. Hesmondhalgh, David and Negus, Keith, 65–84. London: Arnold.Google Scholar
Brunt, Shelley. 2011. “Introduction: New Perspectives on Popular Music in Asia.” Perfect Beat 12(2):130–36.Google Scholar
Condry, Ian. 2006. Hip-Hop Japan: Rap and the Paths of Cultural Globalization. Durham, N.C.: Duke University Press.Google Scholar
Danielson, Virginia. 1998. “The Voice of Egypt”: Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century. Chicago: University of Chicago Press.Google Scholar
de Kloet, Jeroen. 2008. China with a Cut: Globalisation, Urban Youth and Popular Music. Amsterdam: Amsterdam University Press.Google Scholar
Gelder, Ken, and Thornton, Sarah, eds. 1997. The Subcultures Reader. London: RoutledgeCurzon.Google Scholar
Grossberg, Lawrence, Nelson, Cary, and Treichler, Paula, eds. 1992. Cultural Studies. London: RoutledgeCurzon.Google Scholar
Guilbault, Jocelyne. 1993. Zouk: World Music in the West Indies. Chicago: University of Chicago Press.Google Scholar
Herzfeld, Michael. 1997. Cultural Intimacy: Social Poetics in the Nation-State. New York: Routledge.Google Scholar
Holt, Fabian. 2007. Genre in Popular Music. Chicago: University of Chicago Press.CrossRefGoogle Scholar
Jones, Andrew. 1992. Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music. Ithaca, N.Y.: East Asia Program, Cornell University.Google Scholar
Levine, Mark. 2008. Heavy Metal Islam: Rock, Resistance, and the Struggle for the Soul of Islam. New York: Three Rivers Press.Google Scholar
Lohman, Laura. 2010. Umm Kulthum: Artistic Agency and the Shaping of an Arab Legend, 1967-2007. Middletown, Conn.: Wesleyan University Press.Google Scholar
Maclachlan, Heather. 2011. Burma's Pop Music Industry: Creators, Distributors, Censors. Rochester, N.Y.: University of Rochester Press.CrossRefGoogle Scholar
Manuel, Peter. 1988. Popular Musics of the Non-Western World: An Introductory Survey. New York: Oxford University Press.Google Scholar
Manuel, Peter. 1995. Caribbean Currents: Caribbean Music from Rumba to Reggae. Philadelphia: Temple University Press.Google Scholar
Matsue, Jennifer Milioto. 2008a. “Introduction: Popular Music in Changing Asia.” Asian Music 39(1):1–4.CrossRefGoogle Scholar
Matsue, Jennifer Milioto. 2008b. Making Music in Japan's Underground: The Tokyo Hardcore Scene. London: RoutledgeCurzon.CrossRefGoogle Scholar
Olsen, Dale. 2008. Popular Music of Vietnam: The Politics of Remembering, the Economics of Forgetting. London: RoutledgeCurzon.CrossRefGoogle Scholar
Sandstrom, Boden, and Schnitker, Laura, eds. World Popular Musics and Identity. Dubuque, Iowa: Kendall Hunt.Google Scholar
Schechner, Richard. 2003. Performance Studies: An Introduction. London: RoutledgeCurzon.Google Scholar
Sharma, Nitasha Tamar. 2010. Hip Hop Desis: South Asian-Americans, Blackness, and a Global Race Consciousness. Durham, N.C.: Duke University Press.Google Scholar
Small, Christopher. 1998. Musicking: The Meanings of Performing and Listening. Hanover, N.H.: Wesleyan University Press.Google Scholar
Sterling, Marvin. 2010. Babylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan. Durham, N.C.: Duke University Press.Google Scholar
Stokes, Martin. 1992. The Arabesk Debate: Music and Musicians in Modern Turkey. New York: Oxford University Press.CrossRefGoogle Scholar
Stokes, Martin. 2010. The Republic of Love: Cultural Intimacy in Turkish Popular Music. Chicago: University of Chicago Press.CrossRefGoogle Scholar
Sutton, R. Anderson. 2010. “Gamelan Encounters with Western Music in Indonesia: Hybridity/Hybridism.” Popular Music Studies 22(2):180–97.CrossRefGoogle Scholar
Turino, Thomas. 2008. Music as Social Life: The Politics of Participation. Chicago: University of Chicago Press.Google Scholar
Wallach, Jeremy. 2008. Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997–2001. Madison: University of Wisconsin Press.Google Scholar
Waterman, Christopher. 1990. JuJu: A Social History and Ethnography of an African Popular Music. Chicago: University of Chicago Press.Google Scholar
Weintraub, Andrew. 2010. Dangdut Stories: A Social and Musical History of Indonesia's Most Popular Music. New York: Oxford University Press.CrossRefGoogle Scholar
Wong, Deborah. 2004. Speak It Louder: Asian-Americans Making Music. London: RoutledgeCurzon.CrossRefGoogle Scholar
Yano, Christine. 2002. Tears of Longing: Nostalgia and the Nation in Japanese Popular Song. Cambridge, Mass.: Harvard University Press.Google Scholar