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Published online by Cambridge University Press: 10 January 2014
1 See, e.g., Richards, Jeffrey and Sheridan, Dorothy, eds., Mass Observation at the Movies (London: Routledge & Kegan Paul, 1987)Google Scholar; Cross, Gary, Worktowners at Blackpool: Mass Observation and Popular Leisure in the 1930s (London: Routledge, 1990)Google Scholar; or Davies, Andrew, Leisure, Gender and Poverty: Working-Class Culture in Salford and Manchester, 1900–1939 (Buckingham: Open University Press, 1992)Google Scholar.
2 Richards, Jeffrey, Visions of Yesterday (London: Routledge & Kegan Paul, 1973)Google Scholar, examines imperial films in the context of Britain, America, and National Socialism.
3 Emsley, Clive, The English Police: A Political and Social History (London: Harvester Wheatsheaf, 1991), pp. 202–3Google Scholar.
4 Ibid., p. 160.
5 Light, Alison, Forever England: Femininity, Literature and Conservatism between the Wars (London: Routledge, 1991)Google Scholar.
6 Roper, Michael and Tosh, John, eds. Manful Assertions: Masculinities in Britain since 1800 (London: Routledge, 1991)Google Scholar.