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The Conclusion of Christina of Markyate's Vita

Published online by Cambridge University Press:  26 February 2001

Abstract

The Vita of Christina of Markyate has been celebrated as ‘perhaps the twelfth century's most effective and revealing personal history of a woman’. Indeed, the Vita's account of Christina's early career is vivid and remarkably detailed: one can read at length of Christina's saintly childhood, her efforts to escape an unwanted marriage, her ascetic hardships living with the hermit Roger and her intimate spiritual friendship with Abbot Geoffrey of St Albans. But while we know a great deal about Christina's early career, more than for almost any other contemporary woman, we know almost nothing about her later life. Her Vita is incomplete, its text known only from a single fire-damaged fourteenth-century manuscript, BL, MS Cotton Tiberius E i. Christina's Vita is the very last item in the Tiberius manuscript. On the final folio, as Christina is reproving Geoffrey for incorrect behaviour, the text breaks off at the bottom line in the middle of a word: ‘que minus recte videbatur gerere sapienter increpando, sa…’. As the last datable reference in the Vita is to 1139, and Abbot Geoffrey died in 1146, the existing text of the Vita appears to cover events no later than the early 1140s.

Type
Research Article
Copyright
© 2000 Cambridge University Press

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Footnotes

A portion of this essay was presented at the 1994 Newberry Seminar on ‘Latin Archival Sources’ led by Diana Greenway and Jane Sayers, both of whom gave valuable guidance in the project's early stages. Since then, many of my colleagues have read drafts of this essay; I am indebted to Carolyn Edwards, Lezlie Knox, F. Thomas Luongo, David Mengel, Jeanne Petit and Lisa Wolverton for their advice and support. I was assisted in the study of the Tiberius manuscript by Michelle Brown of the British Library, and am also grateful for the corrections and suggestions of this JOURNAL's editor and anonymous readers. Finally, I would like to thank John Van Engen, who saw the project through from beginning to end, for his generous aid and encouragement.