Hostname: page-component-cd9895bd7-gvvz8 Total loading time: 0 Render date: 2024-12-27T10:38:32.208Z Has data issue: false hasContentIssue false

Lifemusic as an aid to recovery in a forensic mental health setting

Published online by Cambridge University Press:  28 May 2014

Sandra Walker*
Affiliation:
Senior Teaching Fellow, Southampton University, Faculty of Health Sciences, UK
Rod Paton
Affiliation:
Senior Lecturer in Music, University of Chichester, UK
*
Correspondence to: Sandra Walker, Southampton University, Faculty of Health Sciences, University Road, Southampton, Hants SO17 1BJ. E-mail: scw1y10@soton.ac.uk
Get access

Abstract

The Lifemusic project ran from 2008–2011 as part of a UK government funded programme demonstrating the potential benefits to community well-being from knowledge exchange between universities and their local communities. The Lifemusic method, which grew out of 20 years of development and community practice, uses music improvisation as a primary resource for group health and well-being. It presented a training programme and over 400 workshops with a variety of client groups including mental health. This paper introduces and outlines the Lifemusic method, placing it within a tradition of humanistic approaches to community health and goes on to describe its impact in a mental health facility where the approach was introduced and sustained. It looks at the practical aspects of setting up the programme, the challenges of client participation and sustainability and outlines the positive outcomes and benefits to patients and the methodology used in measuring well-being.

Type
Brief Report
Copyright
Copyright © NAPICU 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Andsell, G., Meehan, J. (2010) ‘Some light at the end of the tunnel’: exploring users’ evidence for the effectiveness of music therapy in adult mental health settings. Music and Medicine. 2(1): 2940.Google Scholar
British Association for Music Therapy (2011) Music Therapy and Mental Health Issues. London: BAMT, 1 p.Google Scholar
Bruscia, K.E. (1987) Improvisational Models of Music Therapy. Springfield, CA: Charles C. Thomas, 590 pp.Google Scholar
Deegan, P.E. (1988) Recovery, the lived experience of rehabilitation. Psychosocial Rehabilitation Journal. 11(4): 1119.Google Scholar
Forchuk, C., Jewell, J., Tweedell, D., Steinnagel, L. (2003) Role changes experienced by clinical staff in relation to clients’ recovery from psychosis. Journal of Psychiatric & Mental Health Nursing. 10: 269276.Google Scholar
Friedson, S.M. (2000) Dancing the disease: music and trance in Tumbuka healing. In: Gouk, P. (ed.). Musical Healing in Cultural Contexts. Aldershot: Ashgate, pp. 6784.Google Scholar
Gold, C., Rolvsjord, R., Aaro, L.E., Aarre, T., Tjemsland, L., Stige, B. (2005) Resource oriented music therapy for psychiatric patients with low therapy motivation: protocol for a randomised controlled trial [NCT00137189]. BMC Psychiatry. 5: 39. Published online 31 October 2005, doi: 10.1186/1471-244X-5-39.Google Scholar
Gouk, P. (2000) Musical Healing in Cultural Contexts. Aldershot: Ashgate, 238 pp.Google Scholar
Higgins, A., McBennett, P. (2007) The petals of recovery in a mental health context. British Journal of Nursing. 16(14): 852856.Google Scholar
Horden, P. (2000) Music as Medicine. Aldershot: Ashgate, 414 pp.Google Scholar
Kramer, C. (2000) Soul music as exemplified in nineteenth-century German psychiatry. In: Gouk, P. (ed.). Musical Healing in Cultural Contexts. Aldershot: Ashgate, pp. 137148.Google Scholar
Lloyd, A. (2010) The use of music as a therapeutic engagement tool. Mental Health Occupational Therapy. 15(2): 5455.Google Scholar
McCaffrey, T., Edwards, J., Fannon, D. (2011) Is there a role for music therapy in the recovery approach in mental health? The Arts in Psychotherapy. 38: 185189.Google Scholar
Meekums, B., Daniel, J. (2011) Arts with offenders: a literature synthesis. The Arts in Psychotherapy. 38: 229238.Google Scholar
National Institute for Health and Care Excellence (2011) Service user experience in adult mental health: improving the experience of care for people using adult NHS mental health services. London: NICE, CG136.Google Scholar
Nordoff, P., Robbins, C. (2007) Creative Music Therapy: A guide to fostering clinical musicianship, 2nd edition. Texas: Barcelona Publishers, 516 pp.Google Scholar
Paton, R. (2011) Lifemusic, Connecting People to Time. Dorset: Archive Publishing, 288 pp.Google Scholar
Pearce, J., Pearson, M., Cameron, S. (2008) The Ivory Tower and Beyond: Bradford University at the heart of its communities. Participatory Learning and Action. 58(1): 8286.Google Scholar
Rolsfjord, R. (2010) Resource-Oriented Music Therapy in Mental Health Care. Gilsum, NH: Barcelona Publishers, 282 pp.Google Scholar
Ruud, E. (1998) Music Therapy: Improvisation, communication and culture. Gilsum, NH: Barcelona Publishers, 204 pp.Google Scholar
Ruud, E. (2010) Music Therapy: A perspective from the humanities. Gilsum, NH: Barcelona Publishers, 209 pp.Google Scholar
Silverman, M.J. (2011) Effects of music therapy on psychiatric patients’ proactive coping skills: two pilot studies. The Arts in Psychotherapy. 38: 125129.Google Scholar
Tyler, H.M. (2000) The music therapy profession in modern Britain. In: Horden, P. (ed.). Music as Medicine. Aldershot: Ashgate, pp. 375393.Google Scholar
Vescelius, E.A. (1918) Music and health. The Musical Quarterly. 4(3): 376401.Google Scholar
Wigram, T. (2004) Improvisation: Methods and techniques for music therapy clinicians, educators and students. London: Jessica Kingsley, 240 pp.Google Scholar
Witkin, R. (1974) The Intelligence of Feeling. London: Heinemann, 198 pp.Google Scholar
Yalom, I.D., Leszcz, M. (2008) The Theory and Practice of Group Psychotherapy. New York: Basic Books, 668 pp.Google Scholar