Hostname: page-component-78c5997874-4rdpn Total loading time: 0 Render date: 2024-11-10T06:06:12.031Z Has data issue: false hasContentIssue false
  • English
  • Français

Factorial Analysis of the Song as an Approach to the Formation of a Unitary Field Theory

Published online by Cambridge University Press:  07 March 2019

Charles Seeger
Charles Seeger*
Affiliation:
University of California, Los Angeles
Get access

Extract

In comparison with the most admired scholarly disciplines of the twentieth century Western World, musicology has only tardily formed concepts of its total field, or universe, and of its lowest common denominator. And these concepts, such as they are, have not yet made a dent upon the “excessive historicism” still entrenched in academic fortresses. Meanwhile, the natural and social sciences have advanced from positions of main reliance upon analytical techniques to bold syntheses of universal proportions, while in musicology, even mention of synthesis is not quite respectable. It should not be, but probably is, necessary to point out that except within a universal conceptual frame and in terms of a lowest common denominator, analysis is harzardous.

Type
Techniques in the Study of Folk Music
Information
Journal of the International Folk Music Council , Volume 20 , 1968 , pp. 33 - 39
Copyright
Copyright © International Council for Traditional Music 1968

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Notes

1. Knopoff, Leon, “An Index for the Relative Quality among Musical Instruments”, Ethnomusicology, VII No. 3, pp 229–233 Google Scholar; Id., “Some Technological Advances in Music Analysis,” Journal of the International Folk Music Council, Vol. XVIII part 2 (Studia Musicologica, Com. VII, fasc. 1-4 1965, pp. 301-07).