Hostname: page-component-cd9895bd7-mkpzs Total loading time: 0 Render date: 2024-12-29T11:06:09.411Z Has data issue: false hasContentIssue false

The wood carvings of Tamil Nadu: an iconographical survey*

Published online by Cambridge University Press:  15 March 2011

Extract

The value of wood as a medium for making implements for secular and religious purposes has been known to mankind since the dawn of civilization. Some examples have survived till contemporary times. The fact that wood is available in abundant quantity, easily procurable and also eminently easy to fashion into the required shape must have been responsible for maximum use being made of it. The sruk and sruva, wooden spoons used by Vedic ritualists, continue to be of the same material and shape today. So also scholars are of the opinion that the earliest iconic presentations and temple edifices were made of wood. In view of the indispensable nature of wood as a medium of art, śilpaśāstras and āgamas embody elaborate information concerning the types of wood fit for art production and the methods for procuring them. It is well-known that art in wood is a legacy of very ancient traditions. The present paper makes an attempt to trace succinctly the art heritage of Tamilnadu in wood with special reference to temple cars, tēr in Tamil and ratha in Sanskrit, and to evaluate the scope for research in iconography.

Type
Articles
Copyright
Copyright © The Royal Asiatic Society 1988

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

BIBLIOGRAPHY

Bhagavat Gītā, ed. & transl. Svami, Sithbhavananda (1977) Tirupparaitturai.Google Scholar
Brahmīyacitrakarmašāstra, eds. Sharma, V. Sundara & Rao, Nagarjuna (1960) Thanjavur.Google Scholar
Brown, Percy (1959), Indian Architecture (Buddhist and Hindu Periods) Bombay.Google Scholar
Coomaraswamy, Ananda (1956), Dance of Śiva. Bombay.Google Scholar
Coomaraswamy, Ananda (1927), History of Indian and Indonesian Art. London.Google Scholar
Das, H. C. (1981), Tantricism: A Study of the Yogini Cult. New Delhi.Google Scholar
Desai, Kalpana S. (1973), Iconography ofViṣṇu … New Delhi.Google Scholar
Epigraphia Indica Vol. XXVII.Google Scholar
Fergusson, James (1972), History of Indian and Eastern Architecture. New Delhi.Google Scholar
Gupte, R. S. (1972), Iconography of the Hindus, Buddhists and Jains. Bombay.Google Scholar
Ions, Veronica (1975) Indian Mythology. London.Google Scholar
Īšśvarasaṃhita ed. Swami, P. N. Anantacharya (1921), Kanchipuram.Google Scholar
Jouveau-Dubreuil, G. (1914) Archéologie du sud de I'Inde. Paris.Google Scholar
Kalidos, Raju (1980) “Iconography of Śarabhamūrti”, First Annual Proceedings of the South Indian History Congress, Madurai.Google Scholar
Kalidos, Raju (1981) Temple Cars of Medieval (Ph.D. thesis, Madurai Kamaraj University) Madurai.Google Scholar
Kalidos, Raju (1982) “Temple Cars of Tamilnadu: Field Study Report”, Third Annual Proceedings of the South Indian History Congress, Madurai.Google Scholar
Kalidos, Raju (1982a) “Viṣṇu's Mohinī Incarnation: An Iconographical and Sexological Study”. East and West. Rome (in press).Google Scholar
Kalidos, Raju (1983) “Cryptography of Dance”. Indian Express (dt. 24th December) Madurai.Google Scholar
Kalidos, Raju (1983a) “Western Impact on Traditional Hindu Sculpture”, Paper presented in the ICHR Seminar, Bangalore University. Bangalore.Google Scholar
Kalidos, Raju (1984) “Hindu Architecture: A Study in Stylistic Patterns”. Tamil Civilization. Thanjavur. Vol. II, No. 1.Google Scholar
Kalidos, Raju (1984a) “Stone Cars and Rathamaṇḍapas”, East and West. Rome. Vol. XXXIV, Nos. 13.Google Scholar
Kalidos, Raju (1984b) “Trivikrama Mythology and Iconography”. Journal of Tamil Studies. Adyar. No. 24.Google Scholar
Kalidos, Raju (1984c) “Iconography and Symbolism of Pancamukha-Nṛsiṃha”. jourEast and West. Rome (in press).Google Scholar
Kalidos, Raju (1985) “Temple Cars of Madurai: A Study in Architectural Patterns”. Journal of Tamil Studies. Adyar. No. 28.Google Scholar
Kalidos, Raju (1986) Iconography of Early Medieval South India: Vol. I Vaiṣṇava. Thanjavur (in press).Google Scholar
Kalidos, Raju (1986a) “Wood Carvings of Tamilnadu as an Industrial Art of Tamilnadu”. Heritage of the Tamils: Education and Vocation, eds. Sibramaniyan, S. V. & Madhavan, V. R.. Adyar.Google Scholar
Kalidos, Raju (1986b) “Tantric Buddhist Interaction with the Development of Iconography in Tamilnadu”. Tamil Civilization. Thanjavur. Vol. IV, Nos 12.Google Scholar
Kalidos, Raju (1987) “Structural Alignment and Content Analysis of Erotic Motifs in the Khajuraho type of Temples and the Temple Cars of Tamilnadu”, Paper presented in the UGC National Seminar at Khajuraho, Banares Hindu University (host).Google Scholar
Kalidos, Raju (1987a) “Iconography and Symbolism of Aṣṭamukhagaṇḍabherundaka-Nṛsiṃha”, Artibus Asiae. New York (communicated).Google Scholar
Kalidos, Raju (1987b) “Pañcamukha-Ãñjaneya in Canonic Literature and Art”. East and West. Rome (in press).Google Scholar
Kalidos, Raju (1987c) “Iconography and Symbolism of Ūrdhvatāṇḍavam”. Sixth World Tamil Conference, University of Malaya, Kuala Lumpur (communicated).Google Scholar
(S) Kanda Purāṇam, ed. Odhuvar, T. Pattusami (1952) Tiruppanandal.Google Scholar
Kāśyapaśilpaśāstra, ed. & transl. Subrahmanya Sastri, K. S. (1968) Thanjavur.Google Scholar
Kramrisch, Stella (1976) The Hindu Temple. Delhi. 2 vols.Google Scholar
Kumāratantra, ed. Sharma, E. M. Kandaswamy (1974) Madras.Google Scholar
Mānasāra, ed. & transl. Acharya, P. K. (1921) Oxford.Google Scholar
Marīcisaṃhita in Smith, Daniel & Venkatachari, K. K. A. (1969).Google Scholar
Nagasamy, R. (1972), The Art of Tamilnadu. Madras.Google Scholar
Oppert, Gustav (1972), On the Original Inhabitants of India. Delhi.Google Scholar
Padmasamhita in Smith, Daniel & Venkatachari, K. K. A. (1969).Google Scholar
Periya Purāṇam, ed. Mudaliyar, C. K. Subrahmanya (19491968) Coimbatore. 7 vols.Google Scholar
Pillai, Suresh B. (1976), Introduction to the Study of Temple Art. Thanjavur.Google Scholar
Pillay, K. K. (1953), The Suchindram Temple. Madras.Google Scholar
Piṇkalam, ၚaiva Śiddhānta (1978) Madras.Google Scholar
Puruṣottamasaṃhita in Smith, Daniel & Venkatachari, K. K. A. (1969).Google Scholar
Raman, K. V. (1975), Śrī Varadarājasvāmi Temple Kāñchi. New Delhi.Google Scholar
Rao, T. A. Gopinatha (1971), Elements of Hindu Iconography. Varanasi. 2 vols.Google Scholar
Rawson, Philip (n.d.), The Art of Tantra. Delhi.Google Scholar
Sastri, H. Krishna (1916), South Indian Images of Gods and Goddesses. Madras.Google Scholar
Sastry, K. A. Nilakanta (1972), The Śahgam Age: Its Cults and Cultures. Madras.Google Scholar
Sharma, B. N. (1976), Iconography of Sadāśiva. New Delhi.Google Scholar
Sivaramamurti, C. (1970), Sanskrit Literature and Art: Mirrors of Indian Culture. New Delhi.Google Scholar
Smith, Daniel & Venkatachari, K. K. A. (1969), Vaiṣṇava Iconography. Madreas.Google Scholar
Śrīmad Bhāgavatam, ed. & transl. Bhaktivedanta, A. C.Prabhupada, Swami (1976) New York.Google Scholar
Śriprasnasaṃhita, ed. Padmanabhan, Seetha (1969) Tirupati.Google Scholar
Śrītatvanidhi, ed. & transl. Sastri, K. S. Subrahmanya (19641966) Thanjavur. 3 vols.Google Scholar
Sthapati, V. Ganapati (1978), in Tamil. Madras.Google Scholar
in Paṭṭuppaṭṭu ed. Saminathaier, U. V. (1956) Madras.Google Scholar
Tiruvācakam, Śiddhānta, Śaiva (1948) Madras.Google Scholar
TiruviỊaiyāṭal Purāṇam of Nampi ed. Saminathaier, U. V. (1972) Madras.Google Scholar
Tolkāppiyam, ed. New Century Book House (1981) Madras.Google Scholar
Viśvakarmāvastuśāstra, eds. Sastri, K. Vasudeva & Gadre, N. B. (1953) Thanjavur.Google Scholar
Viṣṇusaṃhita in Smith, Daniel and Venkatachari, K. K. A. (1969).Google Scholar