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Bruce R. Smith, The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago and London: University of Chicago Press, 1999. xiv + 386 pp. ISBN 0 226 76376 5 (cloth); 0 226 76377 3 (paper).

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Bruce R. Smith, The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago and London: University of Chicago Press, 1999. xiv + 386 pp. ISBN 0 226 76376 5 (cloth); 0 226 76377 3 (paper).

Published online by Cambridge University Press:  01 January 2020

Peter Holman
Peter Holman*
Affiliation:
University of Leeds
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Journal of the Royal Musical Association , Volume 125 , Issue 1 , 2000 , pp. 115 - 118
Copyright
Copyright © Royal Musical Association, 2000

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References

1 Hutton, Ronald, The Rise and Fall of Merry England: The Ritual Year 1400–1700 (Oxford, 1994).Google Scholar

2 Morley, Thomas, The First Book of Consort Lessons, ed. Sidney Beck (New York, 1959); see also Peter Holman, Four and Twenty Fiddlers: The Violin at the English Court 1540–1690 (Oxford, 1993; 2nd edn, 1995), 133.Google Scholar

3 Edwards, Warwick, ‘The Sources of Elizabethan Consort Music’ (Ph.D. dissertation, University of Cambridge, 1974), i, 36–57.Google Scholar

4 See in particular Monson, Craig, Voices and Viols in England, 1600–1650: The Sources and the Music (Ann Arbor, 1982).Google Scholar

5 Walls, Peter, Music in the English Courtly Masque, 1604–1640 (Oxford, 1996), 123, 152.Google Scholar

6 Simpson, Claude M., The British Broadside Ballad and its Music (New Brunswick, 1966), 747; Ward, John M., 'Apropos The British Broadside Ballad and its Music, Journal of the American Musicological Society, 20 (1967), 83–4.Google Scholar