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I Don't Sound Like Nobody: Remaking Music in 1950s America. By Albin Zak. Ann Arbor: University of Michigan Press, 2010.

Published online by Cambridge University Press:  23 May 2013

Andrew Flory
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Type
Book Review
Information
Journal of the Society for American Music , Volume 7 , Issue 2 , May 2013 , pp. 203 - 205
Copyright
Copyright © The Society for American Music 2013 

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References

1 Wicke, Peter, Rock Music: Culture, Aesthetics, and Sociology (New York: Cambridge University Press, 1990)CrossRefGoogle Scholar; and Frith, Simon, Sound Effects: Youth, Leisure, and the Politics of Rock ’n’ Roll (New York: Pantheon Books, 1981)Google Scholar.

2 Ennis, Philip H., The Seventh Stream: The Emergence of Rocknroll in American Popular Music (Hanover, NH: Wesleyan University Press, 1992)Google Scholar.

3 Altschuler, Glenn C., All Shook Up: How Rock ’n’ Roll Changed America (New York: Oxford University Press, 2003)Google Scholar; and Ward, Ed, Stokes, Geoffrey, and Tucker, Ken, Rock of Ages: The Rolling Stone History of Rock and Roll (New York: Rolling Stone Press/Summit Books, 1986)Google Scholar.

4 Another study worth consideration is Anderson, Tim J., Making Easy Listening: Material Culture and Postwar American Recording (Minneapolis: University of Minnesota Press, 2006)Google Scholar.

5 See Zak, Albin, The Poetics of Rock: Cutting Tracks, Making Records (Berkeley: University of California Press, 2001)CrossRefGoogle Scholar.