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Sounding American: Hollywood, Opera, and Jazz. By Jennifer Fleeger . New York: Oxford University Press, 2014.

Published online by Cambridge University Press:  27 October 2016

Katherine Spring
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Type
Book Review
Information
Journal of the Society for American Music , Volume 10 , Issue 4 , November 2016 , pp. 508 - 511
Copyright
Copyright © The Society for American Music 2016 

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References

1 Among others, see Gorbman, Claudia, Unheard Melodies: Narrative Film Music (Bloomington: Indiana University Press, 1987)Google Scholar; Kalinak, Kathryn, Settling the Score: Music and the Classical Hollywood Film (Madison: University of Wisconsin Press, 1992)Google Scholar; Flinn, Caryl, Strains of Utopia: Gender, Nostalgia, and Hollywood Film Music (Princeton, NJ: Princeton University Press, 1992)CrossRefGoogle Scholar.

2 Platte, Nathan, “Before Kong was King: Competing Methods in Hollywood Underscore,” Journal of the Society for American Music 8, no. 3 (August 2014): 311–37CrossRefGoogle Scholar; Slowik, Michael, After the Silents: Hollywood Film Music in the Early Sound Era (New York: Columbia University Press, 2014)CrossRefGoogle Scholar; Friedman, Ryan Jay, Hollywood's African American Films: The Transition to Sound (New Brunswick, NJ: Rutgers University Press, 2011)Google Scholar.

3 Altman, Rick, Silent Film Sound (New York: Columbia University Press, 2004)Google Scholar; Levine, Lawrence, Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America (Cambridge, MA: Harvard University Press, 1988)Google Scholar; Sobchack, Vivian, The Address of the Eye: A Phenomenology of Film Experience (Princeton, NJ: Princeton University Press, 1992)Google Scholar.