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The Sounds of Place: Music and the American Cultural Landscape. By Denise Von Glahn. Boston: Northeastern University Press, 2003; paperback edition, 2009.

Published online by Cambridge University Press:  13 July 2011

Carol A. Hess
Carol A. Hess*
Affiliation:
hessc@msu.edu
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Type
Book Review
Information
Journal of the Society for American Music , Volume 5 , Issue 3 , August 2011 , pp. 427 - 429
Copyright
Copyright © The Society for American Music 2011

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References

1 Dahlhaus, Carl, “Nationalism and Music,” in Between Romanticism and Modernism, trans. Whittall, Mary (Berkeley: University of California Press, 1980), 89Google Scholar; Richard Taruskin, “Nationalism,” in Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/50846.

2 Casey, Edward S., Remembering: A Phenomenological Study (Bloomington: Indiana University Press, 1987), 181–215Google Scholar.

3 See, for example, Sisman, Elaine, “Memory and Invention at the Threshold of Beethoven's Late Style,” in Beethoven and His World, ed. Burnham, Scott and Steinberg, Michael P. (Princeton: Princeton University Press, 2000), 51–87Google Scholar.

4 Stokes, Martin, ed., Ethnicity, Identity, and Music: The Musical Construction of Place (Oxford: Berg, 1994)Google Scholar.

5 Tomlinson, Gary, The Singing of the New World: Indigenous Voice in the Era of European Contact (Cambridge: Cambridge University Press, 2007), 7Google Scholar.