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Claiming Diaspora: Music, Transnationalism, and Cultural Politics in Asian/Chinese America. By Su Zheng. Oxford: Oxford University Press, 2010.

Published online by Cambridge University Press:  21 January 2011

Charles Sharp
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Type
Book Review
Information
Journal of the Society for American Music , Volume 5 , Issue 1 , February 2011 , pp. 117 - 120
Copyright
Copyright © The Society for American Music 2011

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References

2 Zheng's bibliography includes references to most of the important scholarship on the subject. In addition, however, see Moon, Krystyn, “Lee Tung Foo and the Making of a Chinese American Vaudevillian, 1900s–1920s,” Journal of Asian American Studies 8/1 (2005): 23–48CrossRefGoogle Scholar; Moon, , Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s–1920s (New Brunswick, N.J.: Rutgers University Press, 2005)Google Scholar; Yang, Mina, “Orientalism and the Music of Asian Immigrant Communities in California, 1924–1945,” American Music 19/4 (2001): 385–416CrossRefGoogle Scholar.

3 Wong, Deborah, Speak It Louder: Asian Americans Making Music (New York: Routledge, 2004)Google Scholar.