No CrossRef data available.
We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
Published online by Cambridge University Press: 31 October 2013
1 General histories: Ginell, Cary, “The Development of Western Swing,” JEMF Quarterly 20 (1984): 58–67Google Scholar; Townsend, Charles R., “A Brief History of Western Swing,” Southern Quarterly 22/3 (1984): 30–51Google Scholar; Dunbar, Tom, From Bob Wills to Ray Benson: A History of Western Swing (Austin, TX: Term Publications, 1988)Google Scholar; and Boyd, Jean A., The Jazz of the Southwest: An Oral History of Western Swing (Austin: University of Texas Press, 1998)Google Scholar. Biographies: Boyd, Jean A., “We're the Light Crust Doughboys from Burrus Mill”: The Story of the Light Crust Doughboys (Austin: University of Texas Press, 2003)Google Scholar; Ginell, Cary, Milton Brown and the Founding of Western Swing (Urbana: University of Illinois Press, 1994)Google Scholar; Townsend, Charles, San Antonio Rose: The Life and Music of Bob Wills (Urbana: University of Illinois Press, 1976)Google Scholar. Liner notes: Rich Kienzle, Cary Ginell, Tony Russell, Chris Strachwitz, and Charles Townsend are just a few of the authorities on western swing who have written informed liner notes for reissues of older recordings. Reference work: Ginell, Cary and Coffey, Kevin, Discography of Western Swing and Hot String Bands, 1928–1942 (Westport, CT: Greenwood Press, 2001)Google Scholar.