Hostname: page-component-cd9895bd7-gvvz8 Total loading time: 0 Render date: 2024-12-26T03:13:22.922Z Has data issue: false hasContentIssue false
  • English
  • Français

The Great War: An American Musical Fantasy. Archeophone Records ARCH 2001, 2007.

Published online by Cambridge University Press:  14 January 2010

Christina Gier
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Recording Reviews
Information
Journal of the Society for American Music , Volume 4 , Issue 1 , February 2010 , pp. 119 - 121
Copyright
Copyright © The Society for American Music 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Walter Spalding, “Music as a Necessary Part of the Soldier's Equipment,” The Outlook (5 June 1918), 223–25.

2 Vogel, Frederick G., World War I Songs: A History and Dictionary of Popular American Patriotic Tunes with over 300 Complete Lyrics (Jefferson, NC: McFarland and Company, 1995)Google Scholar; Gier, Christina, “Gender, Politics, and the Fighting Soldier's Song in America during World War I,” Music and Politics 2/1 (2008): onlineGoogle Scholar.

3 Roell, Craig H., The Piano in America, 1890–1940 (Chapel Hill: University of North Carolina Press, 1989), 48Google Scholar.

4 Deaville, James, “Selling War: Television News Music and the Shaping of American Public Opinion,” Echo: Music and the Public Sphere, An Echo Roundtable 8/1 (2006) on lineGoogle Scholar.