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The Jazz Image: Seeing Music through Herman Leonard’s Photography. By K. Heather Pinson. Jackson: University Press of Mississippi, 2010. - The Ghosts of Harlem: Sessions with Jazz Legends. Photographs and interviews by Hank O'Neal. Nashville, TN: Vanderbilt University Press, 2009.

Published online by Cambridge University Press:  18 May 2016

Michael Broyles
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Type
Book Review
Information
Journal of the Society for American Music , Volume 10 , Issue 2 , May 2016 , pp. 210 - 215
Copyright
Copyright © The Society for American Music 2016 

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References

1 For example, Winternitz, Emanuel, Musical Instruments and Their Symbolism in Western Art (New Haven, CT: Yale University Press, 1979)Google Scholar; Leppert, Richard, The Sight of Sound: Music, Representation and the History of the Body (Berkeley: University of California Press, 1993)Google Scholar.

2 At the Special Photographers Company, 236 Westbourne Park Road, Notting Hill, London, June 1988.

3 Barthes, Roland, Music, Image, Text, trans. Heath, Stephen (New York: Hill and Wang, 1977)Google Scholar; Barthes, Roland, Camera Lucida: Reflections on Photography, trans. Richard Howard (New York: Hill and Wang, 1981)Google Scholar.

4 O'Neal, Hank and Paben, Florence, Les fantômes de Harlem : l'histoire du quartier mythique du jazz (Levallois-Perret, France: Filipacchi, 1997)Google Scholar.

5 Barthes, Camera Lucida, 79–80; Sontag, Susan, On Photography (New York: Farrar, Straus and Giroux, 1977), 4Google Scholar.