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Published online by Cambridge University Press: 25 January 2008
1 Producer Josh Kun, quoted in Alex Williams, “Love ‘Springtime for Hitler’? Then Here's the CD for You,” New York Times, 29 October 2006.
2 Robert Christgau, Consumer Guide, http://www.robertchristgau.com/cg.php.
3 Irving Berlin: Early Songs, 1907–1914, ed. Charles Hamm, Music of the United States of America 2, Recent Researches in American Music 20 (Madison: A-R Editions, 1994).
4 Always one to pick up on a trend, Irving Berlin adopts Abie Cohen as the protagonist in such songs as “The Yiddisha Professor” (1912) and “In My Harem” (1913).
5 Indiana University Lilly Library's DeVincent Collection, http://www.letrs.indiana.edu/cgi/b/bib/bib-idx?c=devincent.
6 For more on the Jewish-Indian encounter on the American musical stage, see Andrea Most, Making Americans: Jews and the Broadway Musical(Cambridge: Harvard University Press, 2004).
7 Jody Rosen, podcast interview by Sara Ivry, Minstrel Show, 13 November 2006, http://www.nextbook.org/cultural/feature.html?id=455.