Hostname: page-component-cd9895bd7-jkksz Total loading time: 0 Render date: 2024-12-26T03:42:39.961Z Has data issue: false hasContentIssue false
  • English
  • Français

Native American Music in Eastern North America: Experiencing Music, Expressing Culture. Global Music Series. By Beverley Diamond. New York: Oxford University Press, 2008.

Published online by Cambridge University Press:  24 October 2011

Chad Hamill
Chad Hamill*
Affiliation:
Chad.Hamill@nau.edu
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Information
Journal of the Society for American Music , Volume 5 , Issue 4 , November 2011 , pp. 557 - 559
Copyright
Copyright © The Society for American Music 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 According to Diamond, Nunavut and Nunavik are two of four Inuit-dominated regions established at different times (35–36). Nunavut was formally recognized as a Canadian federal territory in 1999.

2 Whereas other Catholic religious orders were also active in New France (e.g., Seminarians, Récollects), the Jesuits, who arrived in the early seventeenth century, were particularly zealous in their efforts at converting and Christianizing indigenous peoples.