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Noble Sissle and Eubie Blake: Shuffle Along Music of the United States Volume 29. Recent Researches in American Music Volume 85. Edited by Lyn Schenbeck and Lawrence Schenbeck. Middleton, WI: A-R Editions, 2018.

Published online by Cambridge University Press:  11 April 2022

Susan C. Cook
Susan C. Cook*
Affiliation:
School of Music, The University of Wisconsin-Madison, WI, USA
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Type
Book Review
Information
Journal of the Society for American Music , Volume 16 , Issue 2 , May 2022 , pp. 235 - 238
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press on behalf of the Society for American Music

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References

1 Sarath, Ed, Black Music Matters: Jazz and the Transformation of Music Studies (Lanham, MD: Rowman & Littlefield, 2018)Google Scholar.

2 Riis, Thomas, “Defying Boundaries and Escaping Stereotypes: African American Entertainers in the Late Nineteenth Century,” in Rethinking American Music, ed. Browner, Tara and L., Thomas Riis (Urbana: University of Illinois Press, 2019), 200–01Google Scholar.

3 Schenbeck, Lawrence, Racial Uplift and American Music 1878–1943 (Jackson: University Press of Mississippi, 2012)CrossRefGoogle Scholar.

4 Thompson, David S., “Shuffling Roles: Alternations and Audiences in Shuffle Along,” Theatre Symposium Annual 20 (2012): 97–108CrossRefGoogle Scholar.

5 Hill, Constance Valis, Tap Dancing America (New York: Oxford University Press, 2010)Google Scholar.

6 Brown, Jayna, Babylon Girls: Black Women Performers and the Shaping of the Modern (Durham: Duke University Press, 2008)Google Scholar.