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Out of Sight: The Rise of African American Popular Music, 1889–1895. By Lynn Abbott and Doug Seroff. Jackson: University Press of Mississippi, 2002. - Ragged but Right: Black Traveling Shows, “Coon Songs,” and the Dark Pathway to Blues and Jazz. By Lynn Abbott and Doug Seroff. Jackson: University Press of Mississippi, 2007.

Published online by Cambridge University Press:  21 January 2011

Sandra Jean Graham
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Type
Book Review
Information
Journal of the Society for American Music , Volume 5 , Issue 1 , February 2011 , pp. 113 - 117
Copyright
Copyright © The Society for American Music 2011

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References

1 For example, see Cook, Will Marion, The Music and Scripts of “In Dahomey,” ed. Riis, Thomas L., Music in the United States of America, vol. 5 (Madison: Published for the American Musicological Society by A-R Editions, 1996)Google Scholar; Brooks, Tim, Lost Sounds: Blacks and the Birth of the Recording Industry, 1890–1919 (Urbana: University of Illinois Press, 2004)Google Scholar; Carter, Marva Griffin, “Swing Along”: The Musical Life of Will Marion Cook (New York: Oxford University Press, 2008)CrossRefGoogle Scholar; Berresford, Mark, That's Got ’em: The Life and Music of Wilbur C. Sweatman (Jackson: University Press of Mississippi, 2010)CrossRefGoogle Scholar; Graziano, John, “The Early Life and Career of the ‘Black Patti’: The Odyssey of an African American Singer in the Late Nineteenth Century,” Journal of the American Musicological Society 53/3 (Autumn 2000): 543–96CrossRefGoogle Scholar.