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Record Cultures: The Transformation of the U.S. Record Industry By Kyle Barnett. Ann Arbor: University of Michigan Press, 2020.

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Record Cultures: The Transformation of the U.S. Record Industry By Kyle Barnett. Ann Arbor: University of Michigan Press, 2020.

Published online by Cambridge University Press:  20 October 2022

Eric Weisbard*
Affiliation:
University of Alabama, Tuscaloosa, AL, USA

Abstract

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Type
Book Review
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press on behalf of the Society for American Music

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References

1 Peterson, Richard, “Why 1955? Explaining the Advent of Rock Music,” Popular Music 9, no. 1 (1990): 97–116CrossRefGoogle Scholar; Charlie Gillett, The Sound of the City: The Rise of Rock and Roll, rev. ed. (New York: Pantheon, 1984 [1970]).

2 Peterson, Richard, Creating Country Music: Fabricating Authenticity (Chicago: University of Chicago Press, 1999)Google Scholar.

3 David Sanjek, “‘First I Look at the Purse’: The Contamination of Popular Music Studies by Agoraphobia,” Conference Presentation, the Experience Music Project Pop Conference (University of California, Los Angeles, February 26, 2011).

4 Weisbard, Eric, Top 40 Democracy: The Rival Mainstreams of American Music (Chicago: University of Chicago Press, 2014)CrossRefGoogle Scholar.

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