Hostname: page-component-cd9895bd7-mkpzs Total loading time: 0 Render date: 2024-12-26T04:59:19.614Z Has data issue: false hasContentIssue false
  • English
  • Français

Transatlantic Contrafacta, Musical Formats, and the Creation of Political Culture in Revolutionary America

Published online by Cambridge University Press:  20 October 2017

GLENDA GOODMAN
Get access Rights & Permissions [Opens in a new window]

Abstract

This article investigates Revolutionary-era American political culture through contrafacta of the British anthem “God Save the King.” Before, during, and after the Revolution the tune was frequently set with new lyrics that addressed political topics. The formats through which the song circulated (it was disseminated widely in manuscript and print), shaped the meaning and reception of these various contrafacta. Tracking “God Save the King” through the eighteenth century reveals how the United States remained connected to Britain, even when the lyrics—and the goals of the Revolution—repudiated that bond. Song versions also provide a musical map of the fragmenting political landscape of the early Republic. Ultimately, the diversity of the formats and the song versions reveal the ambivalent relationship between postcolonial United States and Britain, as well as the diversity of political culture within the United States.

Type
Research Article
Information
Journal of the Society for American Music , Volume 11 , Issue 4 , November 2017 , pp. 392 - 419
Copyright
Copyright © The Society for American Music 2017 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References

Gansevoort, Peter. Jr. “Musick Book, 1778,” Gansevoort–Lansing collection, MssCol 1109, Box 28. Manuscripts and Archives Division. New York Public Library.Google Scholar
Kendal, Joseph. MUS MS 4. Watkinson Library. Trinity College. Hartford, CT.Google Scholar
Nixon, Thomas. Manuscript, 1776–78. Framingham Historical Society, MA.Google Scholar
Van Rensselaer, Elizabeth Sanders. MUS MS 8. Watkinson Library. Trinity College.Google Scholar
A Tory Medley, ” Francis Hopkinson. Philadelphia?, 1780?.Google Scholar
“Ein Lied gegen das unrechte Verfahren des Königs, gegen America. Nach der Weis, Ich kann recht sorglos leben.” Philadelphia?: Printed by John Henry Miller?, 1775?.Google Scholar
Hopkinson, Francis. Account of the Grand Federal Procession. Philadelphia, 1788.Google Scholar
The Psalm Singers Help, being a Collection of Tunes in three parts, that are now us'd in the several dissenting congregations in London. London: Thos. Knibb, 1760.Google Scholar
A Selection of Sacred Harmony. Philadelphia: Andrew Adgate, 1788.Google Scholar
Lyons, James. Urania: or A Choice Collection of Psalm-Tunes, Anthems, and Hymns. Philadelphia: Printed by William Bradford?, 1761.Google Scholar
The American Songster : Being a Select Collection of the Most Celebrated American, English, Scotch and Irish Songs. New York: Printed for Samuel Campbell and Thomas Allen, 1788.Google Scholar
The American Songster . Baltimore, pub. by Warner & Hanna, 1799 and 1800.Google Scholar
Collection of Two Hundred Favourite Country Dances . Vol. 4. London: John Johnson, 1748.Google Scholar
The Columbian Songster , or Jovial companion. New York: Greenleaf's Press, 1797.Google Scholar
The Columbian Songster : Being a Large Collection of Fashionable Songs, for Gentlemen and Ladies; In a Series of Numbers. Wrentham, MA: Nathaniel Heaton, jun., 1799.Google Scholar
The Echo : or, Federal Songster; Being a Large Collection of the Most Celebrated, Modern Poetical Writings, of Different Authors. Brookfield, MA: Press of E. Merriam, 1798.Google Scholar
Harmonia Anglicana : A collection of two, three, and four part songs; several of them never before printed; To which are added some Choice Dialogues, set to music by the most eminent masters. . .. London: John Simpson, [1744?].Google Scholar
The Patriotic Medley . New York: Jacob Johnkin, 1800.Google Scholar
The Philadelphia Songster . Philadelphia: [Andrew Adgate], 1789.Google Scholar
The Sky Lark : or Gentlemen and Ladies’ Complete Songster; Being the Largest Collection of the Most Modern and Celebrated American, English and Scotch Songs Ever Yet Published. 2d. ed. Worcester, MA: Isaiah Thomas, Jr., 1797.Google Scholar
Songs Naval and Military . New York: James Rivington, 1779.Google Scholar
The Albany Register Google Scholar
American Recorder, and the Charlestown Advertiser Google Scholar
Boston Gazette Google Scholar
Commercial Advertiser (New York)Google Scholar
Daily Advertiser (London)Google Scholar
Essex Journal Google Scholar
The Federal Gazette, and Philadelphia Evening Post Google Scholar
The Gazette of the United States (Philadelphia)Google Scholar
Gentleman's Magazine: or, Trader's monthly intelligencer (London)Google Scholar
Independent Gazette (Philadelphia)Google Scholar
Independent Gazetteer (Philadelphia)Google Scholar
The Mail; or, ClayPoole's Daily Advertiser (Philadelphia)Google Scholar
New Hampshire Gazette Google Scholar
New-Jersey Journal Google Scholar
Newport Herald Google Scholar
The New-York Journal, & Patriotic Register Google Scholar
New-York Journal, and Weekly Register Google Scholar
Pennsylvania Packet Google Scholar
Philadelphia Aurora Google Scholar
Philadelphia Gazette Philadelphia Minerva Google Scholar
The Providence Gazette And Country Journal Google Scholar
The Spectator (New York)Google Scholar
Worcester Intelligencer Google Scholar
Albanese, Catherine L. Sons of the Fathers: The Civil Religion of the American Revolution. Philadelphia: Temple University Press, 1976.Google Scholar
Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. New York: Verso, 2006 [1983].Google Scholar
Appleby, Joyce. Capitalism and a New Social Order: The Republican Vision of the 1790s. New York: New York University Press, 1984.Google Scholar
Bechtold, Rebeccah. “A Revolutionary Soundscape: Musical Reform and the Science of Sound in Early America, 1760–1840.” Journal of the Early Republic 35, no. 3 (Fall 2015): 419–50.Google Scholar
Bhabha, Homi K. The Location of Culture. New York: Routledge, 1994.Google Scholar
Branham, Robert James. “‘Of Thee I Sing’: Contesting ‘America.’” American Quarterly 48, no. 4 (December 1996): 623–52.Google Scholar
Branham, Robert James. “‘God Save the—!’: American National Songs and National Identities, 1760–1798.” Quarterly Journal of Speech 85, no. 1 (1999): 17–37.Google Scholar
Branson, Susan. These Fiery Frenchified Dames: Women and Political Culture in Early National Philadelphia. Philadelphia: University of Pennsylvania Press, 2001.Google Scholar
Breen, T. H. “Ideology and Nationalism on the Eve of the American Revolution: Revisions Once More in Need of Revising.” Journal of American History 84, no. 1 (June 1997): 13–39.Google Scholar
Breen, T. H. The Marketplace of Revolution: How Consumer Politics Shaped American Independence. New York: Oxford University Press, 2004.Google Scholar
Britton, Allen Perdue, Lowens, Irving, and Crawford, Richard. American Sacred Music Imprints 1698–1810: A Bibliography. Worcester, MA: American Antiquarian Society, 1990.Google Scholar
Brooke, John L. “Consent, Civil Society, and the Public Sphere in the Age of Revolution and the Early Republic.” In Beyond the Founders: New Approaches to the Political History of the Early American Republic, edited by Pasley, Jeffrey L., Robertson, Andrew W., and Waldstreicher, David, 207–50. Chapel Hill: University of North Carolina Press, 2004.Google Scholar
Brooks, Jeanice. “Musical Monuments for the Country House: Music, Collection, and Display at Tatton Park.” Music and Letters 91, no. 4 (November 2010), 513–35.Google Scholar
Bushman, Richard L. The Refinement of America: Persons, Houses, Cities. New York: Alfred A. Knopf, 1992.Google Scholar
Byrd, Jodi A. The Transit of Empire: Indigenous Critiques of Colonialism. Minneapolis: University of Minnesota Press, 2011.Google Scholar
Camus, Raoul F. “The Inspector of Music Meets the French.” Journal of the Society for American Music 8, no. 4 (November 2014): 479–500.CrossRefGoogle Scholar
Chatterjee, Partha. The Nation and its Fragments: Colonial and Postcolonial Histories. Princeton, NJ: Princeton University Press, 1993.Google Scholar
Coleman, William. “‘The Music of a Well Tun'd State’: ‘The Star Spangled Banner’ and the Development of a Federalist Musical Tradition.” Journal of the Early Republic 35, no. 1 (Winter 2015): 599–629.Google Scholar
Colley, Linda. Britons: Forging the Nation, 1707–1837. New Haven, CT: Yale University Press, 1992.Google Scholar
Crawford, Richard. The American Musical Landscape: The Business of Musicianship from Billings to Gershwin. Berkeley: University of California Press, 1993.Google Scholar
Darnton, Robert. Poetry and Police: Communication Networks in Eighteenth-Century Paris. Cambridge, MA: Belknap Press of Harvard University Press, 2010.Google Scholar
Franklin, Alexandra. “Making Sense of Broadside Ballad Illustrations in the Seventeenth and Eighteenth Centuries.” In Studies in Ephemera: Text and Image in Eighteenth-Century Print, edited by Murphy, Kevin D. and O'Driscoll, Sally, 169–94. Lewisburg, PA: Bucknell University Press, 2013.Google Scholar
Daughtry, J. Martin. “Russia's New Anthem and the Negotiation of National Identity.” Ethnomusicology 47, no. 1 (Winter 2003): 42–67.Google Scholar
Dillon, Elizabeth Maddock. New World Drama: The Performative Commons in the Atlantic World, 1649–1849. Durham, NC: Duke University Press, 2014.Google Scholar
Elkins, Stanley, and McKitrick, Eric. The Age of Federalism: The Early American Republic, 1788–1800. New York: Oxford University Press, 1993.Google Scholar
Gaskell, Philip. A New Introduction to Bibliography. New York: Oxford University Press, 1972.Google Scholar
Gelbart, Matthew. The Invention of “Folk Music” and “Art Music”: Emerging Categories from Ossian to Wagner. New York: Cambridge University Press, 2007.Google Scholar
Gitelman, Lisa. Always Already New: Media, History, and the Data of Culture. Cambridge, MA: MIT Press, 2006.Google Scholar
Gitelman, Lisa. Paper Knowledge: Toward a Media History of Documents. Durham, NC: Duke University Press, 2014.Google Scholar
Goodman, Glenda. “’The Tears I Shed at the Songs of Thy Church’: Seventeenth-Century Musical Piety in the English Atlantic World.” Journal of the American Musicological Society 65, no. 3 (Fall 2012): 691–726.Google Scholar
Goodman, Glenda. “Musical Sleuthing in Early America: ‘Derry Down’ and the XYZ Affair.” Common-Place, Special Issue on Music, 13, no. 2 (Winter 2013), online.Google Scholar
Habermas, Jürgen. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Translated by Burger, Thomas and Lawrence, Frederick. Cambridge, MA: MIT Press, 1989.Google Scholar
Hall, David D., ed. A History of the Book in America. Chapel Hill: University of North Carolina Press, 2007–10.Google Scholar
Jackson, Donald, and Twohig, Dorothy, eds. The Diaries of George Washington. Vol. 5. Charlottesville: University of Virginia Press, 1979.Google Scholar
Julian, John. A Dictionary of Hymnology. Vol. 1, 1907. New York: Dover, 1978.Google Scholar
Keller, Kate Van Winkle. Popular Secular Music in America Through 1800: A Preliminary Checklist of Manuscripts in North American Collections. Philadelphia: Music Library Association, 1981.Google Scholar
Keller, Kate Van Winkle. Printers of Ballads, Books, and Newspapers: Biographical Notes and Checklists for Nathaniel Coverly, Sr., Nathaniel Coverly, Jr., and Joseph White. Worcester, MA: American Antiquarian Society, 2008.Google Scholar
Keller, Robert M., Camus, Raoul F., Van Winkle Keller, Kate, and Cifaldi, Susan, comp. Early American Secular Music and its European Sources, 1589–1839: An Index. Annapolis, MD, 2002, CD-ROM.Google Scholar
Kidd, Thomas S. The Great Awakening: The Roots of Evangelical Christianity in Colonial America. New Haven, CT: Yale University Press, 2007.Google Scholar
Krummel, Donald W. “God Save the King.” Musical Times 103, no. 1429 (March 1962), 159–60.Google Scholar
Lawrence, Vera Brodsky. Music for Patriots, Politicians and Presidents. New York: Macmillan, 1975.Google Scholar
Looby, Christopher, et al. “Forum: Alternative Histories of the Public Sphere.” William and Mary Quarterly, 3rd ser., 62, no. 1 (January 2005): 3–112.Google Scholar
Lowance, Mason I. and Barnhill, Georgia B., eds. Massachusetts Broadsides of the American Revolution. Amherst: University of Massachusetts Press, 1976.Google Scholar
Lowe, Lisa. The Intimacies of Four Continents. Durham, NC: Duke University Press, 2015.Google Scholar
Lowens, Irving. A Bibliography of Songsters Printed in America Before 1821. Worcester, MA: American Antiquarian Society, 1976.Google Scholar
Mason, Laura. Singing the French Revolution: Popular Culture and Politics, 1787–1799. Ithaca, NY: Cornell University Press, 1996.Google Scholar
McClintock, Anne. “The Angel of Progress: Pitfalls in the Term ‘Post-Colonialism.’” Social Text 31–32, Third World and Post-Colonial Issues (1992): 84–98.CrossRefGoogle Scholar
McKenzie, D. F. Bibliography and the Sociology of Texts. New York: Cambridge University Press, 1984.Google Scholar
McLuhan, Marshall. Understanding Media: The Extensions of Man. New York: McGraw Hill, 1964.Google Scholar
Nathans, Heather. Early American Theatre from the Revolution to Thomas Jefferson: Into the Hands of the People. New York: Cambridge University Press, 2003.Google Scholar
Newman, Simon. “Principles or Men? George Washington and the Political Culture of National Leadership, 1776–1801.” Journal of the Early Republic 12, no. 4 (Winter 1992): 477–507.Google Scholar
Newman, Simon. Parades and the Politics of the Street: Festive Culture in the Early American Republic. Philadelphia: University of Pennsylvania Press, 1997.Google Scholar
Pasley, Jeffrey L. “The Tyranny of Printers”: Newspaper Politics in the Early American Republic. Charlottesville: University Press of Virginia, 2001.Google Scholar
Porter, Susan. “English-American Interaction in American Musical Theater at the Turn of the Nineteenth Century.” American Music 4, no. 1 (Spring 1986): 6–19.Google Scholar
Potter, Dorothy T. Food for Apollo: Cultivated Music in Antebellum Philadelphia. Bethlehem, PA: Lehigh University Press, 2011.Google Scholar
Ramsey, Guthrie P. “Cosmopolitan or Provincial? Ideology in Early Black Music Historiography, 1867–1940.” Black Music Research Journal 16, no. 1 (Spring 1996): 11–42.Google Scholar
Riordan, Liam. “‘O Dear, What Can the Matter Be?’: The Urban Early Republic and the Politics of Popular Song in Benjamin Carr's Federal Overture .” Journal of the Early Republic 31, no. 2 (Summer 2011): 179–227.Google Scholar
Robin, William. “Traveling with ‘Ancient Music’: Intellectual and Transatlantic Currents in American Psalmody Reform.” Journal of Musicology 32, no. 2 (Spring 2015): 246–78.Google Scholar
St. George, Robert Blair, ed. Possible Pasts: Becoming Colonial in Early America. Ithaca, NY: Cornell University Press, 2000.Google Scholar
Scholes, Percy A. God Save the Queen!: The History and Romance of the World's First National Anthem. New York: Oxford University Press, 1954.Google Scholar
Shadle, Douglas. “How Santa Claus became a Slave Driver: The Work of Print Culture in a Nineteenth-Century Musical Controversy.” Journal of the Society for American Music 8, no. 4 (November 2014): 501–37.Google Scholar
Shields, David S. Civil Tongues and Polite Letters in British America. Chapel Hill: University of North Carolina Press, 1997.Google Scholar
Simpson, Claude. The British Broadside Ballad and Its Music. New Brunswick, NJ: Rutgers University Press, 1966.Google Scholar
Squire, W. Barclay. Catalogue of Printed Music Published between 1487 and 1800 Now in the British Museum. Vol. 2. London, 1912.Google Scholar
Sonneck, Oscar G. T. Early Concert-Life in America (1731–1800). 1907; Reprinted, New York: Da Capo, 1978.Google Scholar
Sonneck, Oscar G. T. A Bibliography of Early Secular Music, 18th Century. Edited by Treat Upton, William. New York: Da Capo, 1964.Google Scholar
Sterne, Jonathan. MP3: The Meaning of a Format. Durham, NC: Duke University Press, 2012.Google Scholar
Tanselle, G. Thomas. Bibliographical Analysis: A Historical Introduction. New York: Cambridge University Press, 2009.Google Scholar
Tilly, Charles. Contentious Performances. New York: Cambridge University Press, 2008.Google Scholar
Travers, Len. Celebrating the Fourth: Independence Day and the Rites of Nationalism in the Early Republic. Amherst: University of Massachusetts Press, 1997.Google Scholar
Turino, Thomas. Nationalists, Cosmopolitans, and Popular Music in Zimbabwe. Chicago: University of Chicago Press, 2000.Google Scholar
Van Orden, Kate. “Sexual Discourse in the Parisian Chanson: A Libidinous Aviary.” Journal of the American Musicological Society 48, no. 1 (Spring 1995): 1–41.Google Scholar
Van Orden, Kate, ed. Music and the Cultures of Print. New York: Garland, 2000.Google Scholar
Waldstreicher, David. In the Midst of Perpetual Fetes: The Making of American Nationalism, 1776–1820. Chapel Hill: University of North Carolina for the Omohundro Institute, 1997.Google Scholar
Warner, Michael. Letters of the Republic: Publication and the Public Sphere in Eighteenth-Century America. Cambridge, MA: Harvard University Press, 1990.Google Scholar
Wilentz, Sean. Chants Democratic: New York and the Rise of the American Working Class, 1788–1850. New York: Oxford University Press, 1984.Google Scholar
Wolfe, Richard. Early American Music Engraving and Printing: A History of Music Publishing in America from 1787 to 1825 with Commentary on Earlier and Later Practices. Urbana: University of Illinois Press, 1980.Google Scholar
Wood, Gordon S. Empire of Liberty: A History of the Early Republic, 1789–1815. New York: Oxford University Press, 2009.Google Scholar
Wood, Kirsten E. “‘Join with Heart and Soul and Voice’: Music, Harmony, and Politics in the Early American Republic.” American Historical Review 119, no. 4 (October 2014): 1083–1116.Google Scholar
Yokota, Kariann Akemi. Unbecoming British: How Revolutionary America Became a Postcolonial Nation. New York: Oxford University Press, 2011.Google Scholar
Gansevoort, Peter. Jr. “Musick Book, 1778,” Gansevoort–Lansing collection, MssCol 1109, Box 28. Manuscripts and Archives Division. New York Public Library.Google Scholar
Kendal, Joseph. MUS MS 4. Watkinson Library. Trinity College. Hartford, CT.Google Scholar
Nixon, Thomas. Manuscript, 1776–78. Framingham Historical Society, MA.Google Scholar
Van Rensselaer, Elizabeth Sanders. MUS MS 8. Watkinson Library. Trinity College.Google Scholar
A Tory Medley, ” Francis Hopkinson. Philadelphia?, 1780?.Google Scholar
“Ein Lied gegen das unrechte Verfahren des Königs, gegen America. Nach der Weis, Ich kann recht sorglos leben.” Philadelphia?: Printed by John Henry Miller?, 1775?.Google Scholar
Hopkinson, Francis. Account of the Grand Federal Procession. Philadelphia, 1788.Google Scholar
The Psalm Singers Help, being a Collection of Tunes in three parts, that are now us'd in the several dissenting congregations in London. London: Thos. Knibb, 1760.Google Scholar
A Selection of Sacred Harmony. Philadelphia: Andrew Adgate, 1788.Google Scholar
Lyons, James. Urania: or A Choice Collection of Psalm-Tunes, Anthems, and Hymns. Philadelphia: Printed by William Bradford?, 1761.Google Scholar
The American Songster : Being a Select Collection of the Most Celebrated American, English, Scotch and Irish Songs. New York: Printed for Samuel Campbell and Thomas Allen, 1788.Google Scholar
The American Songster . Baltimore, pub. by Warner & Hanna, 1799 and 1800.Google Scholar
Collection of Two Hundred Favourite Country Dances . Vol. 4. London: John Johnson, 1748.Google Scholar
The Columbian Songster , or Jovial companion. New York: Greenleaf's Press, 1797.Google Scholar
The Columbian Songster : Being a Large Collection of Fashionable Songs, for Gentlemen and Ladies; In a Series of Numbers. Wrentham, MA: Nathaniel Heaton, jun., 1799.Google Scholar
The Echo : or, Federal Songster; Being a Large Collection of the Most Celebrated, Modern Poetical Writings, of Different Authors. Brookfield, MA: Press of E. Merriam, 1798.Google Scholar
Harmonia Anglicana : A collection of two, three, and four part songs; several of them never before printed; To which are added some Choice Dialogues, set to music by the most eminent masters. . .. London: John Simpson, [1744?].Google Scholar
The Patriotic Medley . New York: Jacob Johnkin, 1800.Google Scholar
The Philadelphia Songster . Philadelphia: [Andrew Adgate], 1789.Google Scholar
The Sky Lark : or Gentlemen and Ladies’ Complete Songster; Being the Largest Collection of the Most Modern and Celebrated American, English and Scotch Songs Ever Yet Published. 2d. ed. Worcester, MA: Isaiah Thomas, Jr., 1797.Google Scholar
Songs Naval and Military . New York: James Rivington, 1779.Google Scholar
The Albany Register Google Scholar
American Recorder, and the Charlestown Advertiser Google Scholar
Boston Gazette Google Scholar
Commercial Advertiser (New York)Google Scholar
Daily Advertiser (London)Google Scholar
Essex Journal Google Scholar
The Federal Gazette, and Philadelphia Evening Post Google Scholar
The Gazette of the United States (Philadelphia)Google Scholar
Gentleman's Magazine: or, Trader's monthly intelligencer (London)Google Scholar
Independent Gazette (Philadelphia)Google Scholar
Independent Gazetteer (Philadelphia)Google Scholar
The Mail; or, ClayPoole's Daily Advertiser (Philadelphia)Google Scholar
New Hampshire Gazette Google Scholar
New-Jersey Journal Google Scholar
Newport Herald Google Scholar
The New-York Journal, & Patriotic Register Google Scholar
New-York Journal, and Weekly Register Google Scholar
Pennsylvania Packet Google Scholar
Philadelphia Aurora Google Scholar
Philadelphia Gazette Philadelphia Minerva Google Scholar
The Providence Gazette And Country Journal Google Scholar
The Spectator (New York)Google Scholar
Worcester Intelligencer Google Scholar
Albanese, Catherine L. Sons of the Fathers: The Civil Religion of the American Revolution. Philadelphia: Temple University Press, 1976.Google Scholar
Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. New York: Verso, 2006 [1983].Google Scholar
Appleby, Joyce. Capitalism and a New Social Order: The Republican Vision of the 1790s. New York: New York University Press, 1984.Google Scholar
Bechtold, Rebeccah. “A Revolutionary Soundscape: Musical Reform and the Science of Sound in Early America, 1760–1840.” Journal of the Early Republic 35, no. 3 (Fall 2015): 419–50.Google Scholar
Bhabha, Homi K. The Location of Culture. New York: Routledge, 1994.Google Scholar
Branham, Robert James. “‘Of Thee I Sing’: Contesting ‘America.’” American Quarterly 48, no. 4 (December 1996): 623–52.Google Scholar
Branham, Robert James. “‘God Save the—!’: American National Songs and National Identities, 1760–1798.” Quarterly Journal of Speech 85, no. 1 (1999): 17–37.Google Scholar
Branson, Susan. These Fiery Frenchified Dames: Women and Political Culture in Early National Philadelphia. Philadelphia: University of Pennsylvania Press, 2001.Google Scholar
Breen, T. H. “Ideology and Nationalism on the Eve of the American Revolution: Revisions Once More in Need of Revising.” Journal of American History 84, no. 1 (June 1997): 13–39.Google Scholar
Breen, T. H. The Marketplace of Revolution: How Consumer Politics Shaped American Independence. New York: Oxford University Press, 2004.Google Scholar
Britton, Allen Perdue, Lowens, Irving, and Crawford, Richard. American Sacred Music Imprints 1698–1810: A Bibliography. Worcester, MA: American Antiquarian Society, 1990.Google Scholar
Brooke, John L. “Consent, Civil Society, and the Public Sphere in the Age of Revolution and the Early Republic.” In Beyond the Founders: New Approaches to the Political History of the Early American Republic, edited by Pasley, Jeffrey L., Robertson, Andrew W., and Waldstreicher, David, 207–50. Chapel Hill: University of North Carolina Press, 2004.Google Scholar
Brooks, Jeanice. “Musical Monuments for the Country House: Music, Collection, and Display at Tatton Park.” Music and Letters 91, no. 4 (November 2010), 513–35.Google Scholar
Bushman, Richard L. The Refinement of America: Persons, Houses, Cities. New York: Alfred A. Knopf, 1992.Google Scholar
Byrd, Jodi A. The Transit of Empire: Indigenous Critiques of Colonialism. Minneapolis: University of Minnesota Press, 2011.Google Scholar
Camus, Raoul F. “The Inspector of Music Meets the French.” Journal of the Society for American Music 8, no. 4 (November 2014): 479–500.CrossRefGoogle Scholar
Chatterjee, Partha. The Nation and its Fragments: Colonial and Postcolonial Histories. Princeton, NJ: Princeton University Press, 1993.Google Scholar
Coleman, William. “‘The Music of a Well Tun'd State’: ‘The Star Spangled Banner’ and the Development of a Federalist Musical Tradition.” Journal of the Early Republic 35, no. 1 (Winter 2015): 599–629.Google Scholar
Colley, Linda. Britons: Forging the Nation, 1707–1837. New Haven, CT: Yale University Press, 1992.Google Scholar
Crawford, Richard. The American Musical Landscape: The Business of Musicianship from Billings to Gershwin. Berkeley: University of California Press, 1993.Google Scholar
Darnton, Robert. Poetry and Police: Communication Networks in Eighteenth-Century Paris. Cambridge, MA: Belknap Press of Harvard University Press, 2010.Google Scholar
Franklin, Alexandra. “Making Sense of Broadside Ballad Illustrations in the Seventeenth and Eighteenth Centuries.” In Studies in Ephemera: Text and Image in Eighteenth-Century Print, edited by Murphy, Kevin D. and O'Driscoll, Sally, 169–94. Lewisburg, PA: Bucknell University Press, 2013.Google Scholar
Daughtry, J. Martin. “Russia's New Anthem and the Negotiation of National Identity.” Ethnomusicology 47, no. 1 (Winter 2003): 42–67.Google Scholar
Dillon, Elizabeth Maddock. New World Drama: The Performative Commons in the Atlantic World, 1649–1849. Durham, NC: Duke University Press, 2014.Google Scholar
Elkins, Stanley, and McKitrick, Eric. The Age of Federalism: The Early American Republic, 1788–1800. New York: Oxford University Press, 1993.Google Scholar
Gaskell, Philip. A New Introduction to Bibliography. New York: Oxford University Press, 1972.Google Scholar
Gelbart, Matthew. The Invention of “Folk Music” and “Art Music”: Emerging Categories from Ossian to Wagner. New York: Cambridge University Press, 2007.Google Scholar
Gitelman, Lisa. Always Already New: Media, History, and the Data of Culture. Cambridge, MA: MIT Press, 2006.Google Scholar
Gitelman, Lisa. Paper Knowledge: Toward a Media History of Documents. Durham, NC: Duke University Press, 2014.Google Scholar
Goodman, Glenda. “’The Tears I Shed at the Songs of Thy Church’: Seventeenth-Century Musical Piety in the English Atlantic World.” Journal of the American Musicological Society 65, no. 3 (Fall 2012): 691–726.Google Scholar
Goodman, Glenda. “Musical Sleuthing in Early America: ‘Derry Down’ and the XYZ Affair.” Common-Place, Special Issue on Music, 13, no. 2 (Winter 2013), online.Google Scholar
Habermas, Jürgen. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Translated by Burger, Thomas and Lawrence, Frederick. Cambridge, MA: MIT Press, 1989.Google Scholar
Hall, David D., ed. A History of the Book in America. Chapel Hill: University of North Carolina Press, 2007–10.Google Scholar
Jackson, Donald, and Twohig, Dorothy, eds. The Diaries of George Washington. Vol. 5. Charlottesville: University of Virginia Press, 1979.Google Scholar
Julian, John. A Dictionary of Hymnology. Vol. 1, 1907. New York: Dover, 1978.Google Scholar
Keller, Kate Van Winkle. Popular Secular Music in America Through 1800: A Preliminary Checklist of Manuscripts in North American Collections. Philadelphia: Music Library Association, 1981.Google Scholar
Keller, Kate Van Winkle. Printers of Ballads, Books, and Newspapers: Biographical Notes and Checklists for Nathaniel Coverly, Sr., Nathaniel Coverly, Jr., and Joseph White. Worcester, MA: American Antiquarian Society, 2008.Google Scholar
Keller, Robert M., Camus, Raoul F., Van Winkle Keller, Kate, and Cifaldi, Susan, comp. Early American Secular Music and its European Sources, 1589–1839: An Index. Annapolis, MD, 2002, CD-ROM.Google Scholar
Kidd, Thomas S. The Great Awakening: The Roots of Evangelical Christianity in Colonial America. New Haven, CT: Yale University Press, 2007.Google Scholar
Krummel, Donald W. “God Save the King.” Musical Times 103, no. 1429 (March 1962), 159–60.Google Scholar
Lawrence, Vera Brodsky. Music for Patriots, Politicians and Presidents. New York: Macmillan, 1975.Google Scholar
Looby, Christopher, et al. “Forum: Alternative Histories of the Public Sphere.” William and Mary Quarterly, 3rd ser., 62, no. 1 (January 2005): 3–112.Google Scholar
Lowance, Mason I. and Barnhill, Georgia B., eds. Massachusetts Broadsides of the American Revolution. Amherst: University of Massachusetts Press, 1976.Google Scholar
Lowe, Lisa. The Intimacies of Four Continents. Durham, NC: Duke University Press, 2015.Google Scholar
Lowens, Irving. A Bibliography of Songsters Printed in America Before 1821. Worcester, MA: American Antiquarian Society, 1976.Google Scholar
Mason, Laura. Singing the French Revolution: Popular Culture and Politics, 1787–1799. Ithaca, NY: Cornell University Press, 1996.Google Scholar
McClintock, Anne. “The Angel of Progress: Pitfalls in the Term ‘Post-Colonialism.’” Social Text 31–32, Third World and Post-Colonial Issues (1992): 84–98.CrossRefGoogle Scholar
McKenzie, D. F. Bibliography and the Sociology of Texts. New York: Cambridge University Press, 1984.Google Scholar
McLuhan, Marshall. Understanding Media: The Extensions of Man. New York: McGraw Hill, 1964.Google Scholar
Nathans, Heather. Early American Theatre from the Revolution to Thomas Jefferson: Into the Hands of the People. New York: Cambridge University Press, 2003.Google Scholar
Newman, Simon. “Principles or Men? George Washington and the Political Culture of National Leadership, 1776–1801.” Journal of the Early Republic 12, no. 4 (Winter 1992): 477–507.Google Scholar
Newman, Simon. Parades and the Politics of the Street: Festive Culture in the Early American Republic. Philadelphia: University of Pennsylvania Press, 1997.Google Scholar
Pasley, Jeffrey L. “The Tyranny of Printers”: Newspaper Politics in the Early American Republic. Charlottesville: University Press of Virginia, 2001.Google Scholar
Porter, Susan. “English-American Interaction in American Musical Theater at the Turn of the Nineteenth Century.” American Music 4, no. 1 (Spring 1986): 6–19.Google Scholar
Potter, Dorothy T. Food for Apollo: Cultivated Music in Antebellum Philadelphia. Bethlehem, PA: Lehigh University Press, 2011.Google Scholar
Ramsey, Guthrie P. “Cosmopolitan or Provincial? Ideology in Early Black Music Historiography, 1867–1940.” Black Music Research Journal 16, no. 1 (Spring 1996): 11–42.Google Scholar
Riordan, Liam. “‘O Dear, What Can the Matter Be?’: The Urban Early Republic and the Politics of Popular Song in Benjamin Carr's Federal Overture .” Journal of the Early Republic 31, no. 2 (Summer 2011): 179–227.Google Scholar
Robin, William. “Traveling with ‘Ancient Music’: Intellectual and Transatlantic Currents in American Psalmody Reform.” Journal of Musicology 32, no. 2 (Spring 2015): 246–78.Google Scholar
St. George, Robert Blair, ed. Possible Pasts: Becoming Colonial in Early America. Ithaca, NY: Cornell University Press, 2000.Google Scholar
Scholes, Percy A. God Save the Queen!: The History and Romance of the World's First National Anthem. New York: Oxford University Press, 1954.Google Scholar
Shadle, Douglas. “How Santa Claus became a Slave Driver: The Work of Print Culture in a Nineteenth-Century Musical Controversy.” Journal of the Society for American Music 8, no. 4 (November 2014): 501–37.Google Scholar
Shields, David S. Civil Tongues and Polite Letters in British America. Chapel Hill: University of North Carolina Press, 1997.Google Scholar
Simpson, Claude. The British Broadside Ballad and Its Music. New Brunswick, NJ: Rutgers University Press, 1966.Google Scholar
Squire, W. Barclay. Catalogue of Printed Music Published between 1487 and 1800 Now in the British Museum. Vol. 2. London, 1912.Google Scholar
Sonneck, Oscar G. T. Early Concert-Life in America (1731–1800). 1907; Reprinted, New York: Da Capo, 1978.Google Scholar
Sonneck, Oscar G. T. A Bibliography of Early Secular Music, 18th Century. Edited by Treat Upton, William. New York: Da Capo, 1964.Google Scholar
Sterne, Jonathan. MP3: The Meaning of a Format. Durham, NC: Duke University Press, 2012.Google Scholar
Tanselle, G. Thomas. Bibliographical Analysis: A Historical Introduction. New York: Cambridge University Press, 2009.Google Scholar
Tilly, Charles. Contentious Performances. New York: Cambridge University Press, 2008.Google Scholar
Travers, Len. Celebrating the Fourth: Independence Day and the Rites of Nationalism in the Early Republic. Amherst: University of Massachusetts Press, 1997.Google Scholar
Turino, Thomas. Nationalists, Cosmopolitans, and Popular Music in Zimbabwe. Chicago: University of Chicago Press, 2000.Google Scholar
Van Orden, Kate. “Sexual Discourse in the Parisian Chanson: A Libidinous Aviary.” Journal of the American Musicological Society 48, no. 1 (Spring 1995): 1–41.Google Scholar
Van Orden, Kate, ed. Music and the Cultures of Print. New York: Garland, 2000.Google Scholar
Waldstreicher, David. In the Midst of Perpetual Fetes: The Making of American Nationalism, 1776–1820. Chapel Hill: University of North Carolina for the Omohundro Institute, 1997.Google Scholar
Warner, Michael. Letters of the Republic: Publication and the Public Sphere in Eighteenth-Century America. Cambridge, MA: Harvard University Press, 1990.Google Scholar
Wilentz, Sean. Chants Democratic: New York and the Rise of the American Working Class, 1788–1850. New York: Oxford University Press, 1984.Google Scholar
Wolfe, Richard. Early American Music Engraving and Printing: A History of Music Publishing in America from 1787 to 1825 with Commentary on Earlier and Later Practices. Urbana: University of Illinois Press, 1980.Google Scholar
Wood, Gordon S. Empire of Liberty: A History of the Early Republic, 1789–1815. New York: Oxford University Press, 2009.Google Scholar
Wood, Kirsten E. “‘Join with Heart and Soul and Voice’: Music, Harmony, and Politics in the Early American Republic.” American Historical Review 119, no. 4 (October 2014): 1083–1116.Google Scholar
Yokota, Kariann Akemi. Unbecoming British: How Revolutionary America Became a Postcolonial Nation. New York: Oxford University Press, 2011.Google Scholar