Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-27T09:33:45.985Z Has data issue: false hasContentIssue false
  • English
  • Français

Kant and Recent Philosophies of Art

Published online by Cambridge University Press:  15 December 2021

João Lemos
João Lemos*
Affiliation:
Nova University of Lisbon, Lisbon, Portugal
*
Email: joaolemos@fcsh.unl.pt
Get access Rights & Permissions [Opens in a new window]

Abstract

This article is to be a bridge between Kant’s aesthetics and contemporary art – not by being a paper on Kant and contemporary art, but rather by being on Kant and contemporary philosophy of art. I claim that Kant’s views on the appreciation of art can accommodate contextualism as well as ethicism. I argue that not only does contextualism fit Kant’s views on the appreciation of art; in §§51–3 of the third Critique, Kant’s appreciation of art is in accordance with contextualism. I go on to argue that not only does ethicism fit Kant’s views on the appreciation of art; in §§51–3, Kant’s appreciation of art is in accordance with ethicism.

Keywords

KantaestheticsWaltoncontextualismGautethicism
Type
Article
Information
Kantian Review , Volume 26 , Special Issue 4: Special Issue on Kant and Contemporary Art , December 2021 , pp. 567 - 582
Check for updates
Copyright
© The Author(s), 2021. Published by Cambridge University Press on behalf of Kantian Review

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Allison, Henry E. (2001) Kant’s Theory of Taste: A Reading of the Critique of Aesthetic Judgment. New York: Cambridge University Press.Google Scholar
Anderson, James C. and Dean, Jeffrey T. (1998) ‘Moderate Autonomism’. British Journal of Aesthetics, 38, 150–66.CrossRefGoogle Scholar
Carroll, Noël (1996) ‘Moderate Moralism’. British Journal of Aesthetics, 36, 223–38.CrossRefGoogle Scholar
Chignell, Andrew (2007) ‘Kant on the Normativity of Taste: The Role of Aesthetic Ideas’. Australasian Journal of Philosophy, 85, 415–33.CrossRefGoogle Scholar
Conolly, Oliver (2000) ‘Ethicism and Moderate Moralism’. British Journal of Aesthetics, 40, 302–16.CrossRefGoogle Scholar
Costello, Diarmuid (2007) ‘Kant After LeWitt: Towards an Aesthetics of Conceptual Art’. In Peter, Goldie and Elisabeth, Schellekens (eds), Philosophy and Conceptual Art (New York: Oxford University Press), 92–115.Google Scholar
Gammon, Martin (1999) ‘Parerga and Pulchritudo adhaerens: A Reading of the Third Moment of the “Analytic of the Beautiful”’. Kant-Studien, 90, 148–67.CrossRefGoogle Scholar
Gaut, Berys (1998) ‘The Ethical Criticism of Art’. In Jerrold, Levinson (ed.), Aesthetics and Ethics: Essays at the Intersection. (Cambridge: Cambridge University Press), 182–203.CrossRefGoogle Scholar
Guyer, Paul (1977) ‘Formalism and the Theory of Expression in Kant’s Aesthetics’. Kant-Studien, 68, 46–70.CrossRefGoogle Scholar
Guyer, Paul (2004) ‘Kant and the Purity of the Ugly’. Kant e-Prints, 3, 1–21.Google Scholar
Guyer, Paul (2008) ‘Is Ethical Criticism a Problem? A Historical Perspective’. In Hagberg, Garry L. (ed.), Art and Ethical Criticism (Malden, MA: Blackwell Publishing), 3–32.Google Scholar
Haskins, Casey (1989) ‘Kant and the Autonomy of Art’. Journal of Aesthetic and Art Criticism, 47, 43–54.CrossRefGoogle Scholar
Kant, Immanuel (2000) Critique of the Power of Judgment. Trans. Guyer, Paul and Matthews, Eric. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
Matherne, Samantha (2013) ‘The Inclusive Interpretation of Kant’s Aesthetic Ideas’. British Journal of Aesthetics, 53, 21–39.CrossRefGoogle Scholar
Nanay, Bence (2016) Aesthetics as Philosophy of Perception. Oxford: Oxford University Press.CrossRefGoogle Scholar
Rogerson, Kenneth (2009) The Problem of Free Harmony in Kant’s Aesthetics. Albany, NY: State University of New York Press.Google Scholar
Rueger, Alexander (1998) ‘Beautiful Surfaces: Kant on Free and Adherent Beauty in Nature and Art’. British Journal for the History of Philosophy, 16, 535–57.CrossRefGoogle Scholar
Shapshay, Sandra (2020) ‘Kant, Celmins and Art After the End of Art’. Con-Textos Kantianos, 12, 209–25.Google Scholar
Tuna, Emine Hande (2018) ‘Kant on Informed Pure Judgments of Taste’. Journal of Aesthetics and Art Criticism, 76, 163–74.CrossRefGoogle Scholar
Walton, Kendall L. (1970) ‘Categories of Art’. Philosophical Review, 79, 334–67.CrossRefGoogle Scholar
Zangwill, Nick (2001) The Metaphysics of Beauty. Ithaca, NY, and London: Cornell University Press.CrossRefGoogle Scholar
Zuckert, Rachel (2007) Kant on Beauty and Biology: An Interpretation of the Critique of Judgment. New York: Cambridge University Press.Google Scholar