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The Contemporaries of Antônio Francisco Lisboa: An Annotated Bibliography

Published online by Cambridge University Press:  24 October 2022

James E. Hogan
James E. Hogan*
Affiliation:
Holy Cross College
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It is generally agreed that the artistic world of eighteenth-century Brazil was dominated by the sculptor/architect, Antônio Francisco Lisboa—“O Aleijadinho” (“the little cripple”)—who has been called one of the most important artists ever to develop in Latin America. The peculiar circumstances of his life, combined with his obvious artistic genius, have resulted in considerable scholarly interest and study. The annotated bibliography that brought Aleijadinho scholarship from 1940 through 1973, in combination with the earlier bibliographies of Martins and Smith-Wilder, provides a relatively complete chronicling of works dealing exclusively with A. F. Lisboa.

Type
Research Reports and Notes
Information
Latin American Research Review , Volume 16 , Issue 3 , 1981 , pp. 138 - 145
Copyright
Copyright © 1981 by the University of Texas Press

References

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Gasparini, Graziano. América, barroco y arquitectura. Caracas: Ernesto Armitano Editor, 1972. Chapter 9 deals with Brazil and pp. 476–517 deal with Minas Gerais. The author admits that Aleijadinho was a great artist but casts doubt on the originality of his works. He feels that Lisboa relied more heavily than had been thought on the work of Andre Soares de Braga. Good black-and-white photos of the work of both men.Google Scholar
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