Published online by Cambridge University Press: 03 March 2015
This paper discusses three groups of rock art in their local, Tripolitanian, context and in terms of their wider relationship with the known corpus of Saharan prehistoric art. The rock carvings at Maia Dib, Udei el Chel/Caf el-Metchia and el-Tolga are described and some preliminary thoughts advanced as to their date and significance. Some suggestions are also made regarding the possible relationship between these carvings and the climatic and environmental changes which characterised the Sahara in later prehistory.