The political messaging of Leoluca Orlando, who served five terms as mayor of Sicily's capital, Palermo (most recently, until 2022), articulates a cosmopolitan vision of local identity. Orlando seeks to emphasise Palermo's ‘tolerant’ values, invoking the city's history to foster this image, as well as using a variety of rhetorical strategies. He portrays Palermo as having a true ‘essence’, which is necessarily multicultural. I analyse Orlando's pronouncements on his official Facebook page, as well as observing his audience's reactions to his messaging, both supportive and critical. I examine how Orlando articulates the narrative that Palermo has historically been a ‘mosaic’ of various cultural influences, proposing that the contemporary city is the ‘true’, welcoming face of the Mediterranean. As well as exploring the political utility Orlando sees in such arguments, I analyse the risks inherent in this essentialising project.

Knowledge of the Arandora Star is no longer limited to members of the UK's historic Italian community but is shared by a much larger constituency thanks to the greater accessibility of historical documents relating to the sinking of the ship, and to the substantial volume of new creative work inspired by it. This article examines this expansion of historical memory by following two discrete but entangled strands. The first follows the construction of the Arandora Star archive, starting from the author's chance personal encounter with a photograph. The second involves a close reading of Francine Stock's A Foreign Country (1999) and Caterina Soffici's Nessuno può fermarmi (2017), two novels that explore how people outside the historic Italian community recognise their implication in the sinking and its aftermath. Both foreground the intergenerational and transnational transmission of difficult memory and the ways in which the Arandora Star functions as an unstable point of historical knowledge and ethical judgement.

Since its introduction in the early 2000s, legislation relating to the voting rights of Italians abroad has enabled millions of residents of voting age outside of Italy to engage in homeland elections and elect their own MPs. The inclusion of Italian citizens abroad in the Italian polity has nevertheless translated into a patchy electoral engagement. This article does not intend to provide an analysis of the voting choices in Italy's overseas constituency. Instead, it delves into external vote dynamics to provide insights into overseas Italians’ abstention in parliamentary elections and referenda. After summarising the history of the introduction of Italy's peculiar model of external voting, drawing on the results of an online survey of Italians abroad, the article examines the factors influencing turnout, with specific attention to the eligible voters’ personal characteristics. It also focuses on the attitude of Italians abroad towards possible reforms aiming at increasing electoral participation. It concludes that country of birth and Italian language skills are among the most relevant variables not only to assess what fosters or inhibits external voting, but also to gauge the opinion of voters residing outside Italy about proposals to reform the procedures regulating the exercise of suffrage from abroad.

The article explores media depictions of industrial labour in Italy, with a special focus on visual, film and television portrayals, spanning from the 1960s to the first two decades of the twenty-first century. Rather than delving into an analysis of labour processes, the primary objective of the article is to scrutinise the gendered representations of work and whether and how the representation of work, including all professions, has played a pivotal role in shaping narratives about Italian society and its inherent contradictions. In this context, the article also emphasises the significance of what remains unrepresented, highlighting the absence of work as equally consequential as its presence. Of particular importance within this exploration is the examination of women's work, a realm less frequently depicted than that of men. The article dedicates specific attention to unravelling the nuances of women's role in the workforce, recognising their portrayal as a key element in understanding broader narratives about Italian society and its complexities.

This report is about the ASMI Summer School held in Pisa on 22–23 June 2023. The conference focused on twentieth-century history issues: gender studies, cultural studies, resistance studies, fascism studies and mafia studies, with the addition of a round table and two keynote lectures, which discussed the profession of the modern historian and the history of racism in Italy from the Second World War to the present.

Italy's prison overcrowding became world news in early March 2020, when the COVID-19 outbreak sparked riots in prisons across the country, causing the death of 13 inmates. As a crisis narrative, the COVID-19 pandemic made visible the deep, ongoing crisis of Italy's prison system and disclosed new conditions for critical thought on the restorative potential of the penitentiary system. This article first describes the impact of COVID-19 on Adriano Sofri's ‘no prison’ writings, starting from his column in Il Foglio on the prison uprisings in March that followed the announcement of the anti-COVID measures; it subsequently analyses the Italian response to the pandemic from an internal, practitioner-led perspective. By offering both a dialectic and an immanent perspective, it aims to develop new ways of understanding the detention system and enhance the social credibility of the penitentiary system in Italy beyond the constraints of COVID and the emergency logic.

In recent years, the architectural legacy and so-called ‘difficult heritage’ of Fascist Italy has become a flourishing field of research. These topics have also begun to make their way into the undergraduate classroom. To date, however, there has been little research carried out into the methods we use to teach the history of Fascism in particular. In this short article, we outline how we have applied problem-based learning and scenario-based learning approaches to tackle this topic. After presenting three assignments, we explain the benefits associated with a PBL/SBL approach, summarised under the headings of interdisciplinarity, creativity and authenticity, before highlighting some aspects on which colleagues may wish to reflect if they are considering adopting a similar approach in their teaching.

This paper critically reviews and examines the available data concerning Italians embarked on the SS Arandora Star on 30 June 1940. It encompasses their fate on 2 July when the ship was sunk, their subsequent journeys and the sources used to verify the conclusions. The principal aim is to establish, as far as is possible, the precise number, correct names and other details of those who were embarked on the ship. A fully validated ‘Embarkation Listing’ is published here for the first time.

It has been over 20 years since Donna R. Gabaccia's seminal work Italy's Many Diasporas was published (London & New York, 2000), an overview of the social, cultural and economic history of Italy's various migrations. Much has changed since then, but this book remains a classic. In this roundtable, historians Lucy Riall, Pamela Ballinger and Konstantina Zanou reflect on the value of Gabaccia's work and on the historical moment of its production. They discuss with the author the developments in the historiography of Italian and other diasporas during the last two decades, and offer insights on new avenues of research including settler colonialism, race and belonging, migration and environmental change, global microhistory and biography, and the Mediterranean context of Italy's migrations.

This article is about the seminar held at Luiss University in Rome on 17 June 2024. The seminar focused on ‘The End of Christian Democracy: A New Direction for Research’ and was the first milestone and official launch of the PRIN research project ‘The End of Christian Democracy: The Collapse of a Political Dream – Voices from the Margins’, led by a consortium of four universities: Luiss, Roma Tre, Bologna and Suor Orsola Benincasa, Naples.

In 1989, the Italian Communist Party (PCI) was going through a period of transition. The fall of the Berlin Wall posed an enormous challenge to Marxist beliefs and the communist political project. In this situation, party secretary Achille Occhetto and his close collaborators planned to embark on a new social-democratic path, as a significant part of the elderly leaders and rank-and-file members feared the abandonment of communist ideals. ‘We are a different party … and I continue to believe it,’ a Milanese communist militant shouted while Nanni Moretti was shooting La Cosa (1990), a documentary about the last days of the PCI, crystallising the perceived sense of uniqueness and diversity that pervaded Italian communism despite the complete loss of meaning for the communist movement worldwide.