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The Field Day Theatre Company and the New Irish Drama

Published online by Cambridge University Press:  15 January 2009

Abstract

In the previous article, the author exempted one company's work from her strictures on the present state of Ulster playwriting. That company was Field Day, based in the town whose very choice of name distinguishes Catholic from Protestant, Derry or Londonderry. Here, Michael Etherton outlines the aims of the company, which extend far beyond the theatrical, and also describes and assesses three plays which, although not all originating from Field Day, seem to him to reflect the distinctive ‘poetic and political view’ which he believes the company has nurtured. Most notable, be believes, is its attempt to reveal and replace the arid rhetoric to which beliefs and argument on both ‘sides’ have been reduced. Michael Etherton, presently teaching at King Alfred's College, Winchester, has previously published widely in the field of African theatre, on which he wrote in TQ10 of our original series, and he is preparing a volume on contemporary Irish drama for the Macmillan Modern Dramatists series.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1987

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References

Deane, Seamus, A Short History of Irish Literature (London: Hutchinson, 1986).Google Scholar
Galway, , Druid Performing Arts Company, The First Ten Years (1985).Google Scholar
Field Day Theatre Company, Ireland's Field Day (London: Hutchinson, 1985).Google Scholar
The Protestant Idea of Liberty (Field Day Pamphlets, 7,8,9. Derry: Field Day Theatre Company, 1985).Google Scholar