No CrossRef data available.
Published online by Cambridge University Press: 24 November 2011
1 Stein, Deborah and Spillman, Robert, ‘Devices and Delights in Poetry’, in Poetry into Song: Performance and Analysis of Lieder (Oxford: Oxford University Press, 1996): 20–56Google Scholar.
2 Agawu, Kofi, ‘Theory and Practice in the Analysis of the Nineteenth-Century Lied’, Music Analysis 11 (1992): 6–7CrossRefGoogle Scholar.
3 See Krebs, Harald, Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann (Oxford: Oxford University Press, 1999)CrossRefGoogle Scholar, and ‘Hypermeter and Hypermetric Irregularity in the Songs of Josephine Lang’, in Engaging Music: Essays in Music Analysis, ed. Deborah J. Stein (Oxford: Oxford University Press, 2005): 13–29.
4 Zbikowski, Lawrence M., Conceptualizing Music: Cognitive Structures, Theory and Analysis (Oxford: Oxford University Press, 2002)CrossRefGoogle Scholar.
5 Malin, Yonatan, Songs in Motion: Rhythm and Meter in the German Lied (Oxford: Oxford University Press, 2010)CrossRefGoogle Scholar.