Hostname: page-component-cd9895bd7-fscjk Total loading time: 0 Render date: 2024-12-26T08:08:47.019Z Has data issue: false hasContentIssue false
  • English
  • Français

Annegret Fauser, Musical Encounters at the 1889 Paris World's Fair (Rochester: University of Rochester Press, 2005). xviii + 391 pp. £40.00

Published online by Cambridge University Press:  13 April 2011

Helen Julia Minors
Helen Julia Minors
Affiliation:
Lancaster University and Roehampton University, London
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 4 , Issue 1 , June 2007 , pp. 135 - 139
Copyright
Copyright © Cambridge University Press 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Budorff, Raymond, Belle Epoque: Paris in the Nineties (London: Hamish Hamilton, 1972): 17.Google Scholar

2 See for example , MacKenzie, John M., Orientalism: History, Theory, and the Arts (Manchester: Manchester University Press, 1995)Google Scholar ; Said, Edward, Orientalism: Western Concepts of the Orient (London: Penguin Books, 1978, 2003).Google Scholar

3 Also see , Sykes, Ingrid J., ‘Sonorous Mechanics: The Culture of Sonority in Nineteenth-Century France’, Nineteenth-Century Music Review 1 (2004): 43–66CrossRefGoogle Scholar . See also Johnson, James H., Listening in Paris: A Cultural History (Berkeley: University of California Press, 1995)Google Scholar.

4 Straus, Joseph, Remaking the Past: Musical Modernism and the Influence of the Tonal Tradition (Cambridge, MA: Harvard University Press, 1990)CrossRefGoogle Scholar ; Korsyn, Kevin, ‘Beyond Privileged Contexts: Intertextuality, Influence and Dialogue’, in Rethinking Music, ed. Cook, Nicholas and Everist, Mark (Oxford: Oxford University Press, 1999, 2001)Google Scholar ; Klein, Michael L., Intertextuality in Western Art Music (Bloomington and Indianapolis: Indiana University Press, 2005)Google Scholar.

5 Ibrahim, , ‘A l'Exposition: La danse du ventre’, La Vie parisienne, 27 (1889): 333, in Fauser: 144.Google Scholar

6 Tiersot, Julien, Musiques pittoresques: Promenades musicales à l'Exposition de 1889 (Paris: Librairie Fischbacher, 1889)Google Scholar ; Bénédictus, Louis, Les Musiques bizarres à l'Exposition (Paris: G. Hartmann, 1889)Google Scholar.

7 Letter from Debussy to Pierre Louÿs (22 Jan. 1895), in Debussy Letters, ed. Lesure, François and Nichols, Roger (London: Faber and Faber, 1987): 76Google Scholar.

8 Bellman, Jonathan, The Exotic in Western Music (Boston: Northeastern University Press, 1998): ix.Google Scholar