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Published online by Cambridge University Press: 19 October 2022
1 See Beckerman, Michael, New Worlds of Dvořák (New York: Norton, 2003)Google Scholar.
2 Branda, Eva, ‘Letting the Music “Speak for Itself”? Dvořák as Strategist’, Nineteenth-Century Music Review 19/1 (2022), doi:10.1017/S1479409821000501Google Scholar.
3 For example, see Guthrie, Kate, The Art of Appreciation: Music and Middlebrow Culture in Modern Britain (Oakland: University of California Press, 2021)Google Scholar.
4 Shadle, Douglas W., Antonín Dvořák's New World Symphony (Oxford: Oxford University Press, 2021)CrossRefGoogle Scholar.