Hostname: page-component-cd9895bd7-jkksz Total loading time: 0 Render date: 2024-12-26T08:00:52.307Z Has data issue: false hasContentIssue false
  • English
  • Français

Best

Published online by Cambridge University Press:  13 April 2011

Paul Hale
Paul Hale
Affiliation:
Southwell Minster
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
CD Reviews
Information
Nineteenth-Century Music Review , Volume 3 , Issue 1 , June 2006 , pp. 139 - 144
Copyright
Copyright © Cambridge University Press 2006

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Statham, H. Heathcote, The Organ & its Position in Musical Art (London, 1909), 217Google Scholar .

2 Such as Statham.

3 Levien, John M., Impressions of W.T. Best (London, 1932), 13Google Scholar .

4 Ibid., 25.

5 Ibid., 29.

6 Statham, in ibid., 26.

7 Quoted in W.L. Rushton, Shakespeare a Lawyer.

8 Levien, , Impressions, 16.Google Scholar

9 In ibid., 26.

10 W.T. Best, Musical Standard, quoted in Edmonds, Bernard, ‘Notes & Queries’, The British Institute of Organ Studies Reporter 17/3 (Jul. 1993)Google Scholar . Available online at http:/ /home. freeuk.com/glandy/jul93/f793.htm (accessed 17 Nov. 2005).

11 Thistlethwaite, Nicholas, The Making of the Victorian Organ (Cambridge, 1990), 348Google Scholar .

12 Levien, , Impressions, 53Google Scholar .