Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-26T08:12:26.979Z Has data issue: false hasContentIssue false

Campana Alessandra, Opera and Modern Spectatorship in Late Nineteenth-Century Italy (Cambridge: Cambridge University Press, 2015). xvi+206 pp. £65.00.

Published online by Cambridge University Press:  29 November 2016

Francesca Vella*
Affiliation:
St John’s College, Cambridgefv250@cam.ac.uk

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Copyright
© Cambridge University Press 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Filippi, Filippo, ‘Appendice. Rassegna drammatico-musicale. Mefistofele di Arrigo Boito’, in La perseveranza, 30 May 1881, pp. 12Google Scholar, here 2 (my translation).

2 For another exploration of Boccanegra in 1881 Milan, one that comes (by different routes) to similar conclusions, see Vella, Francesca, ‘Milan, Simon Boccanegra and the Late-Nineteenth-Century Operatic Museum’, Verdi Perspektiven 1 (2016): 93121Google Scholar.