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Published online by Cambridge University Press: 13 April 2011
1 Citron, Marcia J., Gender and the Musical Canon (Cambridge, 1993); andGoogle ScholarCécile Chaminade: A Bio-Bibliography (New York, Westport, CN, and London: Greenwood, 1988): 23–6Google Scholar.
2 Leonard-Stuart, C., ‘Biographical Sketch’, in Cécile Chaminade, Album of Seventeen Pieces for Pianoforte (New York: G. Schirmer, 1899): np.Google Scholar
3 ‘An Opera in New York’, Musical Courier 46 (18 Mar. 1903): 12, quoted inGoogle ScholarWomen in Music: An Anthology of Source Readings from the Middle Ages to the Present, ed. Neuls-Bates, Carol, rev. ed. (Boston: Northeastern University Press, 1996): 226–7Google Scholar.
4 Ferrari, Gustav, ‘Chaminade, Cécile (Louise Stéphanie)’, Grove's Dictionary of Music and Musicians, 2nd ed., ed. Maitland, J.A. Fuller, 5 vols (New York: Macmillan, 1911): I, 496, andGoogle ScholarThe New Grove Dictionary of Music and Musicians, 6th ed., ed. Sadie, Stanley, 20 vols (London: Macmillan, 1980): IV, 125.Google Scholar The 6th edition features an updated bibliography by Jean Mongrédien.
5 Allan Ulrich, ‘Women's Philharmonic Launches Twelfth Season’, San Francisco Examiner (5 Oct. 1992), reprinted in Neuls-Bates, ed., Women in Music, 340.