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Debussy Claude. 1er Quatuor pour 2 violons, alto et violoncello, op. 10. Edited by Douglas Woodfull-Harris. Bärenreiter-Verlag Urtext. Kassel: Bärenreiter-Verlag Karl Vötterle GmbH und Co. KG, 2010. XXX, 55 p., and editorial appendix, 58–65. Parts BA 9414, € 28.95, study score TP 414, € 14.95.

Published online by Cambridge University Press:  24 May 2012

James Briscoe
James Briscoe*
Affiliation:
Butler University
*
Email: jbriscoe@butler.edu
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Type
Score Reviews
Information
Nineteenth-Century Music Review , Volume 9 , Issue 1: Theoretical and Critical Contexts in Nineteenth-Century Performance Practice , June 2012 , pp. 167 - 170
Copyright
Copyright © Cambridge University Press 2012

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References

1 BBC Music Magazine Orchestral Choice Jan 2007. http://www.arkivmusic.com/classical/album.jsp?album_id=143953.

2 Claude Debussy, Correspondance: 1872–1918, ed. François Lesure and Denis Herlin (Paris: Editions Gallimard, 2005)Google Scholar.

3 Debussy, Correspondance, 192Google Scholar. ‘I have to say… that being exiled from your friendship feels like an eternity, I am so attached to you! Do I really need to tell you that I was desolate for many days over what you said about my quartet…. I will write another quartet that will be only for you, and I will do my best to elevate my use of form.’ Chausson's daughter Etiennette Lerolle-Chausson, writing to Edward Lockspeiser in 1959, confided that a form of financial double dealing on the composer's part as well as his short-lived engagement to the Chaussons’ friend Thérèse Roger figured in the rift. See Lockspeiser, Edward, Debussy: His Life and Mind (London: Cassell, 1962)Google Scholar: I; 129.

4 Boston Journal. Philip Hale wrote music criticism for the Boston Home Journal from 1889–91, the Boston Journal 1891–1903, and the Boston Herald from 1903 until his retirement in 1933. He also wrote editorials in the New Music Review anonymously for many years and annotated Boston Symphony concerts for 32 seasons.

5 Briscoe, James R., ‘Debussy in Daleville: Toward Modernist Hearing in the U.S.’ Rethinking Debussy, ed. Elliott Antokoletz and Marianne Wheeldon (New York: Oxford, 2011)Google Scholar: 227.

6 Debussy, Correspondance, p. 192Google Scholar.

7 Stocktakings from an Apprenticeship, Stephen Walsh, trans. Oxford: Oxford University Press, 1991, p. 259.

8 A Short History of Opera (New York: Columbia University Press, 1947, revised 3rd edition 1988 by H.W. Williams): 581.