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Harvey Sachs, The Ninth: Beethoven and the World in 1824 (New York: Random House, 2010). 225pp. £12.99.

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Harvey Sachs, The Ninth: Beethoven and the World in 1824 (New York: Random House, 2010). 225pp. £12.99.

Published online by Cambridge University Press:  27 June 2011

Lewis Lockwood
Affiliation:
Harvard University

Abstract

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Type
Book Review
Copyright
Copyright © Cambridge University Press 2011

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References

1 Sachs, Harvey, Toscanini (New York: Lippincott, 1978)Google Scholar; Sachs, Harvey, Reflections on Toscanini (New York: Grove Weidenfeld, 1991)Google Scholar; Sachs, Harvey, Rubinstein: A Life (New York: Grove Press, 1995)Google Scholar; Sachs, Harvey, Music in Fascist Italy (New York: Norton, 1988)Google Scholar.

2 Buch, Esteban, Beethoven's Ninth: A Political History, trans. Richard Miller (Chicago, IL: University of Chicago Press, 2003)Google Scholar.

3 Nottebohm, Gustav, Zweite Beethoveniana (Leipzig: C.F. Peters, 1887; reprinted in 1970 by Johnson Reprint Corporation, New York), Chapter XX: ‘Skizzen zur neunten Symphonie’, 157–92Google Scholar; Schenker, Heinrich, Beethoven's Ninth Symphony, trans. and ed. John Rothgeb (New Haven: Yale University Press, [1912] 1992)Google Scholar; Francis Tovey, Donald, Essays in Musical Analysis, II (London: Oxford University Press, 1935)Google Scholar, Chapter XLII: ‘Ninth Symphony in D Minor: Its Place in Musical Art’, 1–45; Baensch, Otto, Aufbau und Sinn des Chorfinales in Beethovens neunte Symphonie (Berlin and Leipzig: Walter de Gruyter, 1930)Google Scholar; Dahlhaus, Carl, Ludwig van Beethoven; Approaches to his Music, trans. Mary Whittall (Oxford: Oxford University Press [1987] 1991)Google Scholar, esp. 76–80; Cook, Nicholas, Beethoven; Symphony No. 9 (Cambridge: Cambridge University Press, 1993)Google Scholar; Leo Treitler, ‘History, Criticism, and Beethoven's Ninth Symphony’, and ‘To Worship that Celestial Sound: Motives for Analysis’, which are included as Chapters 1 and 2 in his Music and the Historical Imagination (Cambridge, MA: Harvard University Press, 1989): 19–45 and 46–66; Kinderman, William, Beethoven, 2nd rev. ed. (Oxford and New York: Oxford University Press, 2009)Google Scholar; Webster, James, ‘The Form of the Finale of Beethoven's Ninth Symphony’, Beethoven Forum I (1992): 2562Google Scholar.

4 Daverio, John, Nineteenth-Century Music and the German Romantic Ideology (New York: Schirmer Books, 1993)Google Scholar.

5 Johnson, Paul, The Birth of the Modern: World Society 1815–1830 (New York: Harper, 1999)Google Scholar.

6 van Beethoven, Ludwig, Sinfonie No. 9, op 125, Autograph (Documenta Musicologica, II/42 [Bärenreiter Facsimile 5]), ed. Lewis Lockwood, Jonathan Del Mar and Martina Rebmann (Kassel: Bärenreiter-Verlag, 2010)Google Scholar.

7 Treitler, Leo, ‘The Historiography of Music: Issues of Past and Present’, in Rethinking Music, ed. Nicholas Cook and Mark Everist (Oxford: Oxford University Press, 1999): 357Google Scholar.