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Karol Berger, Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity (Berkeley: University of California Press, 2007). xi + 420pp. $39.95

Published online by Cambridge University Press:  13 April 2011

Marianne Tettlebaum
Marianne Tettlebaum
Affiliation:
Hendrix College
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Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 6 , Issue 1 , June 2009 , pp. 91 - 94
Copyright
Copyright © Cambridge University Press 2009

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References

1 Jean-Jacques Rousseau's Essai sur l'origine des langues was published posthumously in 1781. For an English translation, see On the Origin of Language, trans. Moran, John H. and Gode, Alexander (University of Chicago Press: Chicago, 1986)Google Scholar.

2 Berger references Rapaczynski's, AndrzejNature and Politics: Liberalism in the Philosophies of Hobbes, Locke, and Rousseau (Ithaca, NY: Cornell University Press: Ithaca, NY, 1989).Google Scholar For Jacques Derrida's most extensive discussion of Rousseau, see Of Grammatology, trans. Spivak, Gayatri Chakravorty (Baltimore, MD: The Johns Hopkins University Press, 1974). See alsoGoogle ScholarStarobinski, Jean, Transparency and Obstruction (Chicago: University of Chicago Press, 1988)Google Scholar.

3 Schweitzer, Albert, J.S. Bach (New York: Dover Publications, 1967): 211.Google Scholar

4 Subotnik, Rose, Developing Variations: Style and Ideology in Western Music (Minneapolis: University of Minnesota Press, 1991)Google Scholar; Steinberg, Michael, Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music (Princeton, NJ: Princeton University Press, 2004)Google Scholar.