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Katharine Ellis, The Politics of Plainchant in fin-de-siècle France (Farnham: Ashgate, 2013). xxiii + 137 pp. £55.00.

Published online by Cambridge University Press:  23 July 2015

Jean-Christophe Branger
Jean-Christophe Branger*
Affiliation:
Université de Lorrainejean-christophe.branger@univ-lorraine.fr
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Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 12 , Issue 2 , December 2015 , pp. 337 - 340
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Copyright
© Cambridge University Press 2015 

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References

1 Combe, Dom Pierre, Histoire de la restauration du chant grégorien d'après des documents inédits: Solesmes et l'Édition Vaticane (Solesmes: Abbaye Saint-Pierre de Solesmes, 1969)Google Scholar; English translation as The Restoration of Gregorian Chant: Solesmes & The Vatican Edition, by Theodore Marier and William Skinner (Washington, DC: The Catholic University of America Press, 2003).

2 Bergeron, Katherine, Decadent Enchantments: The Revival of Gregorian Chant at Solesmes (Berkeley, Los Angeles and London: University of California Press, 1998)Google Scholar.

3 Viret, Jacques, Le chant grégorien et la tradition grégorienne (Paris: L’Age d’Homme, 2001)Google Scholar.

4 Bisaro, Xavier, Chanter toujours: plain-chant et religion villageoise dans la France moderne (XVI e – XIXesiècle) (Rennes: Presses Universitaires de Rennes, 2010)Google Scholar.

5 Combe, , The Restoration of Gregorian chant, 201–203Google Scholar, 234–8, 247–8.

6 Combe, , The Restoration of Gregorian chant, 315ffGoogle Scholar.

7 Viret, , Le chant grégorien et la tradition grégorienne, p. 81Google Scholar.

8 Ellis, Katherine, Interpreting the Musical Past: Early Music in Nineteenth-Century France (Oxford: Oxford University Press, 2005)Google Scholar.